{"id":50816,"date":"2023-05-10T10:53:51","date_gmt":"2023-05-10T08:53:51","guid":{"rendered":"https:\/\/www.fotolab.cz\/blog\/?p=50816"},"modified":"2023-06-09T10:01:57","modified_gmt":"2023-06-09T08:01:57","slug":"analogovy-film-fenomen-na-vzestupu","status":"publish","type":"post","link":"https:\/\/www.fotolab.cz\/blog\/analogovy-film-fenomen-na-vzestupu\/","title":{"rendered":"Analogov\u00fd film \u2013 fenom\u00e9n na vzestupu"},"content":{"rendered":"<p><strong>Jestli se zaj\u00edm\u00e1te o&nbsp;analogovou fotografii, tak v\u00edte, \u017ee to je p\u0159esn\u011b to kouzlo, kter\u00e9 chceme za\u017e\u00edvat poka\u017ed\u00e9, kdy\u017e vlo\u017e\u00edme film do fotoapar\u00e1tu. Proto nen\u00ed divu, \u017ee se analogov\u00e1 fotografie op\u011bt st\u00e1v\u00e1 masov\u00fdm fenom\u00e9nem po cel\u00e9m sv\u011bt\u011b&#8230;<\/strong><\/p>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<p>Fotografie byla a&nbsp;je jedn\u00edm z&nbsp;nejb\u00e1je\u010dn\u011bj\u0161\u00edch vyn\u00e1lez\u016f 19.&nbsp;stolet\u00ed. Fotografov\u00e1n\u00ed je v&nbsp;dne\u0161n\u00ed dob\u011b tak\u0159ka b\u011b\u017en\u00e1 v\u011bc a&nbsp;je jedno jestli fot\u00edte na mobil, p\u0159\u00edpadn\u011b vlastn\u00edte n\u011bjak\u00fd fotoapar\u00e1t, proto\u017ee d\u00edky modern\u00ed technologii m\u016f\u017eete d\u011blat, co v\u00e1s bav\u00ed, nep\u0159ij\u00edt o&nbsp;d\u016fle\u017eit\u00e9 momentky a&nbsp;z\u00e1\u017eitek si udr\u017eet v&nbsp;jedni\u010dk\u00e1ch a&nbsp;nul\u00e1ch ve va\u0161em po\u010d\u00edta\u010di.<\/p>\n<p>Ale stejn\u011b nen\u00ed nic lep\u0161\u00edho, ne\u017e kdy\u017e vid\u00edte fotku na pap\u00ed\u0159e, proto\u017ee pokud nen\u00ed fotografie vyti\u0161t\u011bna, tak jako by nebyla. Ka\u017ed\u00fd fotograf v\u00e1m \u0159ekne, \u017ee pap\u00edr je pap\u00edr, snad v\u0161ichni m\u00e1me doma velk\u00e1 rodinn\u00e1 fotoalba, ze kter\u00fdch vypad\u00e1vaj\u00ed kr\u00e1sn\u00e9 hmatateln\u00e9 fotografie. A&nbsp;jsou to pr\u00e1v\u011b ty sn\u00edmky, kter\u00e9 okouzl\u00ed snad ka\u017ed\u00e9ho foto nad\u0161ence. Mnohdy toti\u017e tou\u017e\u00edme po fotk\u00e1ch, kter\u00e9 budou zaj\u00edmav\u00e9 svou atmosf\u00e9rou a&nbsp;budou prost\u011b jin\u00e9, ne\u017e ty klasick\u00e9 z&nbsp;digit\u00e1lu.<\/p>\n<p>Asi si \u0159eknete, \u017ee je to p\u0159eci jedno, vyfot\u00edm si fotku telefonem, kter\u00fd m\u00e1m u&nbsp;sebe, a&nbsp;pak si ji uprav\u00edm v&nbsp;aplikaci, kter\u00fdch je na internetu nespo\u010det. A&nbsp;ano, ur\u010dit\u011b m\u00e1te pravdu a&nbsp;je to rychl\u00e1 verze toho, co kdysi trvalo t\u00fdden nebo dva. Pokud se tedy bav\u00edme o&nbsp;klasick\u00e9m vyvol\u00e1n\u00ed kinofilmu a&nbsp;tisku fotografi\u00ed na fotopap\u00edr.<\/p>\n<p>I kdy\u017e jsme ho v\u0161ichni je\u0161t\u011b p\u0159ed n\u011bkolika lety poh\u0159b\u00edvali, analog n\u00e1stup zbrusu nov\u00fdch digit\u00e1ln\u00edch fotoapar\u00e1t\u016f p\u0159e\u017eil a&nbsp;z\u00edsk\u00e1v\u00e1 v\u011bt\u0161\u00ed a&nbsp;v\u011bt\u0161\u00ed popularitu. Fotografick\u00fd sv\u011bt v\u010detn\u011b v\u00fdrobc\u016f kinofilm\u016f jsou si toho v\u011bdomi, tak\u017ee je n\u011bkdy probl\u00e9m sehnat barevn\u00fd \u010di \u010dernob\u00edl\u00fd film. D\u016fle\u017eit\u00e9 je ale to, \u017ee se na film nezanev\u0159elo a&nbsp;st\u00e1le se vyr\u00e1b\u00ed. I&nbsp;\u010cesk\u00e1 republika m\u00e1 z\u00e1stupce na poli klasick\u00e9 fotografie a&nbsp;tou je firma FOMA z&nbsp;Hradce Kr\u00e1lov\u00e9, kter\u00e1 byla zalo\u017eena v&nbsp;roce 1921 a&nbsp;vyv\u00e1\u017e\u00ed sv\u00e9 produkty do 85 zem\u00ed sv\u011bta.<\/p>\n<p>Analogov\u00e1 fotografie nen\u00ed drah\u00e1. Stejnou f\u00e1mou je, \u017ee \u201cAnalog is dead\u201d. A\u017e se s&nbsp;n\u00ed sezn\u00e1m\u00edte, uvid\u00edte. Pochopiteln\u011b m\u00e1 vlastn\u00ed cenu a&nbsp;je mo\u017en\u00e1 \u017eiv\u011bj\u0161\u00ed a&nbsp;hrav\u011bj\u0161\u00ed, ne\u017e jste v\u016fbec \u010dekali. Jak za\u010d\u00edt? Na po\u010d\u00e1tku zvol\u00edte form\u00e1t filmu, na kter\u00fd chcete fotografovat, od toho se d\u00e1le odv\u00edj\u00ed druh fo\u0165\u00e1ku, nebo tak\u00e9 cele naopak: vyberete film podle v\u00e1mi zvolen\u00e9ho fotoapar\u00e1tu.<\/p>\n<h2>Form\u00e1t a&nbsp;druhy film\u016f<\/h2>\n<p>Pov\u00edme si tedy n\u011bco v\u00edc o&nbsp;fotografick\u00e9m materi\u00e1lu, kter\u00fd do na\u0161ich nov\u00fdch (star\u00fdch) klasick\u00fdch fotoapar\u00e1t\u016f vkl\u00e1d\u00e1me. Na trhu jsou kinofilmy (klasick\u00fd obd\u00e9ln\u00edkov\u00fd 135 \u2013 zn\u00e1m\u00fd jako 35mm) a&nbsp;svitky (velk\u00fd form\u00e1t\/\u010dtverec) \u2013 tak\u00e9 jist\u011b tu\u0161\u00edte, \u017ee je na v\u00fdb\u011br mezi barevn\u00fdm a&nbsp;\u010dernob\u00edl\u00fdm.<\/p>\n<p>Form\u00e1t filmu je technick\u00e1 definice zachycen\u00ed obrazu na fotografick\u00fd film. Filmov\u00e9 pol\u00ed\u010dko se vztahuje k&nbsp;z\u00e1kladn\u00edmu stavebn\u00edmu bloku filmu, kter\u00fd obsahuje jeden sn\u00edmek. Form\u00e1t filmov\u00e9ho pol\u00ed\u010dka se odv\u00edj\u00ed od toho, jak\u00fd typ filmu se pou\u017e\u00edv\u00e1 a&nbsp;jak\u00e9 jsou po\u017eadavky na kvalitu obrazu. U&nbsp;n\u011bkter\u00fdch druh\u016f filmu (nap\u0159\u00edklad kinofilmu, tj. 35mm filmu typ 135) se uv\u00e1d\u00ed \u010dist\u00e1 velikost pol\u00ed\u010dka bez okraj\u016f filmu a&nbsp;mezer mezi sn\u00edmky (24 \u00d7 36 mm), zat\u00edmco nap\u0159\u00edklad u&nbsp;svitkov\u00e9ho filmu 120 se jako rozm\u011bry sn\u00edmkov\u00e9ho pol\u00ed\u010dka ud\u00e1v\u00e1 cel\u00e1 \u0161\u00ed\u0159ka filmu v\u010detn\u011b okraj\u016f nad a&nbsp;pod sn\u00edmkem a&nbsp;rozte\u010d sn\u00edmk\u016f (tj. nap\u0159\u00edklad form\u00e1t 4,5 \u00d7 6 cm se uv\u00e1d\u00ed u&nbsp;sn\u00edmk\u016f o&nbsp;skute\u010dn\u00e9 velikosti 41,5 \u00d7 56 mm).<\/p>\n<figure id=\"attachment_50862\" aria-describedby=\"caption-attachment-50862\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-50862\" src=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/MicrosoftTeams-image-300x195.jpg\" alt=\"\" width=\"700\" height=\"455\" srcset=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/MicrosoftTeams-image-300x195.jpg 300w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/MicrosoftTeams-image-768x499.jpg 768w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/MicrosoftTeams-image-1536x998.jpg 1536w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/MicrosoftTeams-image-50x33.jpg 50w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/MicrosoftTeams-image-370x241.jpg 370w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/MicrosoftTeams-image-270x176.jpg 270w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/MicrosoftTeams-image-740x481.jpg 740w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/MicrosoftTeams-image.jpg 1600w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption id=\"caption-attachment-50862\" class=\"wp-caption-text\">Druhy filmov\u00fdch form\u00e1t\u016f<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>Na prvn\u00ed pohled m\u00e1me jen dva druhy fotografick\u00fdch materi\u00e1l\u016f \u2013 barevn\u00fd a&nbsp;\u010dernob\u00edl\u00fd. Ve skute\u010dnosti je to trochu slo\u017eit\u011bj\u0161\u00ed, druhy jsou toti\u017e minim\u00e1ln\u011b \u010dty\u0159i:<\/p>\n<ul>\n<li><strong>Negativn\u00ed \u010dernob\u00edl\u00fd film&nbsp;pro \u010dernob\u00edlou fotografii<\/strong><\/li>\n<li><strong>Negativn\u00ed barevn\u00fd film&nbsp;pro barevnou fotografii<\/strong><\/li>\n<li><strong>Pozitivn\u00ed barevn\u00fd diapozitivn\u00ed film&nbsp;pro barevnou fotografii<\/strong><\/li>\n<li><strong>Pozitivn\u00ed \u010dernob\u00edl\u00fd&nbsp;diapozitivn\u00ed film&nbsp;pro \u010dernob\u00edlou fotografii<\/strong><\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-50822\" src=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Filmy-300x300.jpg\" alt=\"\" width=\"700\" height=\"701\" srcset=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Filmy-300x300.jpg 300w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Filmy-150x150.jpg 150w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Filmy-768x769.jpg 768w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Filmy-1536x1536.jpg 1536w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Filmy-2046x2048.jpg 2046w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Filmy-50x50.jpg 50w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Filmy-370x370.jpg 370w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Filmy-270x270.jpg 270w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Filmy-740x741.jpg 740w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Filmy-400x400.jpg 400w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Filmy-350x350.jpg 350w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Filmy-200x200.jpg 200w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Filmy-51x51.jpg 51w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>D\u016fle\u017eit\u00e9 je v\u011bd\u011bt, jakou m\u00e1te p\u0159edstavu nebo koncept, proto\u017ee nap\u0159\u00edklad pro focen\u00ed krajinek je lep\u0161\u00ed barevn\u00fd film, kde\u017eto \u010dernob\u00edl\u00fd je vhodn\u011bj\u0161\u00ed pro portr\u00e9t s&nbsp;ost\u0159ej\u0161\u00edm sv\u011btlem a&nbsp;st\u00edny.<\/p>\n<p>Dal\u0161\u00edm parametrem, kter\u00fd by v\u00e1s&nbsp;m\u011bl zaj\u00edmat, je citlivost filmu. Tu si vysv\u011btl\u00edme n\u00ed\u017ee v&nbsp;textu a&nbsp;n\u00e1sledn\u011b si rozebereme samotn\u00e9 filmy.<\/p>\n<h2>Citlivost filmu<\/h2>\n<p>Na krabi\u010dk\u00e1ch film\u016f najdete ozna\u010den\u00ed podle n\u011bkolika norem. ASA je zkratka American Standards Association, DIN zase od Deutsche Industrie-Norm. V&nbsp;sou\u010dasnosti v\u0161ak p\u0159evl\u00e1d\u00e1 ozna\u010den\u00ed ISO (International Standards Organization). Film st\u0159edn\u00ed citlivosti ISO 100 je to sam\u00e9 jako DIN 21 nebo ASA 100. Film s&nbsp;citlivost\u00ed ISO 200 vytvo\u0159\u00ed stejn\u00fd obraz jako ISO 100 po osv\u00edcen\u00ed polovi\u010dn\u00edm mno\u017estv\u00edm sv\u011btla. Jde to po dvojn\u00e1sobc\u00edch, to znamen\u00e1, \u017ee filmu ISO 400 sta\u010d\u00ed ve srovn\u00e1n\u00ed s&nbsp;filmem ISO 100 na vytvo\u0159en\u00ed stejn\u00e9ho obrazu pouze \u010dtvrtinov\u00e9 mno\u017estv\u00ed sv\u011btla (1\/2 \u00d7 1\/2). Film citlivosti ISO 50 vy\u017eaduje naopak v&nbsp;porovn\u00e1n\u00ed s&nbsp;ISO 100 dvojn\u00e1sobn\u011b v\u011bt\u0161\u00ed mno\u017estv\u00ed sv\u011btla.<\/p>\n<h3><strong>M\u00e1lo citliv\u00e9 filmy<\/strong><\/h3>\n<p>Mezi m\u00e1lo citliv\u00e9 pat\u0159\u00ed filmy s&nbsp;ozna\u010den\u00edm ISO 25 a&nbsp;ISO 50. Ty jsou vynikaj\u00edc\u00ed na zobrazen\u00ed jemn\u00fdch detail\u016f d\u00edky extr\u00e9mn\u011b jemnozrnn\u00e9 struktu\u0159e emulze. Dok\u00e1\u017eou neuv\u011b\u0159iteln\u011b citliv\u011b odstup\u0148ovat odst\u00edny barev, co\u017e umo\u017e\u0148uje d\u011blat velk\u00e9 zv\u011bt\u0161eniny, ani\u017e by se objevila zrnitost. Pro tyto jejich vlastnosti jsou vhodn\u00e9 na statick\u00e9 z\u00e1b\u011bry (z\u00e1ti\u0161\u00ed, krajiny, architektura, statick\u00e1 makrofotografie). Z&nbsp;ruky s&nbsp;nimi m\u016f\u017eete fotografovat jen za p\u0159\u00edm\u00e9ho slunce. Jedn\u00e1 se v\u011bt\u0161inou o&nbsp;speci\u00e1ln\u00ed filmy ur\u010den\u00e9 pro profesion\u00e1ly.<\/p>\n<h3><strong>St\u0159edn\u011b citliv\u00e9 filmy<\/strong><\/h3>\n<p>Do t\u00e9to kategorie pat\u0159\u00ed filmy vyr\u00e1b\u011bn\u00e9 v&nbsp;citlivostech ISO 64, 100, 160 a&nbsp;200.&nbsp; Maj\u00ed p\u0159ijatelnou zrnitost a&nbsp;umo\u017e\u0148uj\u00ed fotografovat z&nbsp;ruky za denn\u00edho sv\u011btla p\u0159i zata\u017een\u00e9 obloze, tak\u017ee jejich vyu\u017eit\u00ed je vskutku \u0161irok\u00e9. Jsou z\u00e1rove\u0148 i&nbsp;cenov\u011b nejv\u00fdhodn\u011bj\u0161\u00ed. Nejlevn\u011bj\u0161\u00ed z&nbsp;nich jsou ISO 100. Nav\u00edc u&nbsp;film\u016f s&nbsp;citlivost\u00ed 100 a&nbsp;200 se budete nejm\u00e9n\u011b b\u00e1t p\u0159i pr\u016fchodu leti\u0161tn\u00edm rentgenem. Za v\u0161echny ostatn\u00ed citlivosti si mus\u00edte p\u0159iplatit.<\/p>\n<div class=\"row-fluid\">\n<div class=\"span6 rhcol\">\n<figure id=\"attachment_50901\" aria-describedby=\"caption-attachment-50901\" style=\"width: 335px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-50901\" src=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/100-201x300.jpg\" alt=\"\" width=\"335\" height=\"500\" srcset=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/100-201x300.jpg 201w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/100-33x50.jpg 33w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/100-370x553.jpg 370w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/100-270x403.jpg 270w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/100.jpg 525w\" sizes=\"(max-width: 335px) 100vw, 335px\" \/><figcaption id=\"caption-attachment-50901\" class=\"wp-caption-text\">ISO 100 Fomapan, Kodak Ektar<\/figcaption><\/figure>\n<\/div>\n<div class=\"span6 rhcol\">\n<figure id=\"attachment_50902\" aria-describedby=\"caption-attachment-50902\" style=\"width: 334px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-50902\" src=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/200-201x300.jpg\" alt=\"\" width=\"334\" height=\"500\" srcset=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/200-201x300.jpg 201w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/200-33x50.jpg 33w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/200-370x553.jpg 370w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/200-270x404.jpg 270w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/200.jpg 468w\" sizes=\"(max-width: 334px) 100vw, 334px\" \/><figcaption id=\"caption-attachment-50902\" class=\"wp-caption-text\">ISO 200 Fomapan, Kodak Gold<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3><strong>Extr\u00e9mn\u011b citliv\u00e9 filmy<\/strong><\/h3>\n<p>Vyr\u00e1b\u011bj\u00ed se v&nbsp;citlivostech ISO 1000, ISO 1600 a&nbsp;ISO 3400. Umo\u017en\u00ed v\u00e1m nap\u0159\u00edklad fotografovat n\u00e1ladov\u00e9 sn\u00edmky za svitu sv\u00ed\u010dek. Vysok\u00e1 zrnitost, je\u017e je charakteristick\u00e1 pro tyto filmy, nemus\u00ed b\u00fdt v\u017edy na obt\u00ed\u017e.<\/p>\n<figure id=\"attachment_50931\" aria-describedby=\"caption-attachment-50931\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-50931\" src=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/400-1-300x178.jpg\" alt=\"\" width=\"700\" height=\"415\" srcset=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/400-1-300x178.jpg 300w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/400-1-768x455.jpg 768w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/400-1-50x30.jpg 50w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/400-1-370x219.jpg 370w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/400-1-270x160.jpg 270w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/400-1-740x438.jpg 740w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/400-1.jpg 1324w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption id=\"caption-attachment-50931\" class=\"wp-caption-text\">Zleva: Kodak XTR 400, Fuji Superia 400, Ilford Pan 400, Ilford XP2&nbsp;400, Kodak Portra 800<\/figcaption><\/figure>\n<p>D\u016fle\u017eit\u00fdm krit\u00e9riem pro v\u00fdb\u011br filmu je tedy jeho citlivost a&nbsp;je dobr\u00e9 zapamatovat si n\u00e1sleduj\u00edc\u00ed pravidlo:<\/p>\n<p>Citliv\u011bj\u0161\u00ed filmy (ISO 200 \u2013 3400) = ni\u017e\u0161\u00ed kontrast, hrub\u0161\u00ed zrno, hor\u0161\u00ed kresba;<\/p>\n<p>M\u00e9n\u011b citliv\u00fd film (ISO 25\u2013200) = vy\u0161\u0161\u00ed kontrast, jemn\u011bj\u0161\u00ed zrno i&nbsp;kresba.<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>\u010cernob\u00edl\u00fd film<\/strong><\/h2>\n<p>Pro za\u010d\u00e1tek bych cht\u011bl zm\u00ednit z\u00e1kladn\u00ed v\u011bc, jak vlastn\u011b vznik\u00e1 obraz u&nbsp;\u010dernob\u00edl\u00e9ho filmu. Sv\u011btlocitliv\u00e1 vrstva obsahuje&nbsp;rozpt\u00fdlen\u00e9 krystalky halogenid\u016f st\u0159\u00edbra ve vrstv\u011b \u017eelatiny. P\u0159i exponov\u00e1n\u00ed vznik\u00e1 d\u00edky zm\u011bn\u00e1m v&nbsp;krystalech skryt\u00fd obraz, kter\u00fd p\u016fsoben\u00edm v\u00fdvojky ztmavne. Neosv\u011btlen\u00e9 krystalky se potom vy\u010dist\u00ed&nbsp;p\u016fsoben\u00edm ustalova\u010de a&nbsp;je hotovo, fotografick\u00fd obraz&nbsp;je na sv\u011bt\u011b. Ve fin\u00e1le je to vlastn\u011b jednoduch\u00e9, \u017ee? Ale o&nbsp;temn\u00e9 komo\u0159e si podrobn\u011b nap\u00ed\u0161eme jindy.<\/p>\n<p>&nbsp;<\/p>\n<p>V p\u0159\u00edpad\u011b, \u017ee se chcete nau\u010dit pracovat s&nbsp;filmem, nejlep\u0161\u00ed je za\u010d\u00edt u&nbsp;st\u0159edn\u00edch hodnot, jako je ISO 125 nebo 200. Pokud si to v\u0161ak situace \u017e\u00e1d\u00e1, p\u0159ich\u00e1zej\u00ed na \u0159adu filmy n\u00edzk\u00fdch\/vysok\u00fdch hodnot ISO, ka\u017edop\u00e1dn\u011b to v\u017edy bude n\u011bco za n\u011bco. V\u00edce zrna nebo dlouh\u00e9 expozi\u010dn\u00ed \u010dasy. Mezi \u010dernob\u00edl\u00e9 filmy pat\u0159\u00ed takzvan\u00e9 chromogenn\u00ed filmy. Ty vypadaj\u00ed na prvn\u00ed pohled \u00fapln\u011b stejn\u011b jako klasick\u00e9 \u010dernob\u00edl\u00e9 negativy, ale rozd\u00edl je p\u0159i jeho vyvol\u00e1v\u00e1n\u00ed, proto\u017ee se na to pou\u017e\u00edv\u00e1 barevn\u00fd strojov\u00fd proces C-41. Mohlo by se zd\u00e1t, \u017ee je to zbyte\u010dnost, ale pokud r\u00e1di fot\u00edte \u010dernob\u00edle a&nbsp;z\u00e1rove\u0148 vyvol\u00e1n\u00ed p\u0159enech\u00e1v\u00e1te na odborn\u00edc\u00edch v&nbsp;laborato\u0159\u00edch, m\u00e1te pak vyhr\u00e1no. Dal\u0161\u00ed velkou v\u00fdhodou je a\u017e extr\u00e9mn\u00ed expozi\u010dn\u00ed pru\u017enost, tzn. \u017ee jsou tolerantn\u011bj\u0161\u00ed v\u016f\u010di expozi\u010dn\u00edm nep\u0159esnostem a&nbsp;l\u00e9pe zobrazuj\u00ed men\u0161\u00ed ztr\u00e1ty kresby, co\u017e je dev\u00edza film\u016f s&nbsp;vy\u0161\u0161\u00ed citlivost\u00ed. Zp\u016fsob vyvol\u00e1n\u00ed by se m\u011bl v\u017edy \u0159\u00eddit nejvy\u0161\u0161\u00ed pou\u017eitou citlivost\u00ed. V\u00fd\u0161e zm\u00edn\u011bn\u00e9 chromogenn\u00ed filmy jsou opravdu tolerantn\u00ed a&nbsp;mohou b\u00fdt exponov\u00e1ny v&nbsp;rozsahu citlivosti ISO 125\u20131600!<\/p>\n<figure id=\"attachment_50819\" aria-describedby=\"caption-attachment-50819\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-50819\" src=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Agfa_Avipan_200-300x222.jpg\" alt=\"D\u00edt\u011b v kuchyni\" width=\"700\" height=\"518\" srcset=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Agfa_Avipan_200-300x222.jpg 300w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Agfa_Avipan_200-768x568.jpg 768w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Agfa_Avipan_200-1536x1136.jpg 1536w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Agfa_Avipan_200-2048x1515.jpg 2048w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Agfa_Avipan_200-50x37.jpg 50w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Agfa_Avipan_200-370x274.jpg 370w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Agfa_Avipan_200-270x200.jpg 270w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Agfa_Avipan_200-740x547.jpg 740w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Agfa_Avipan_200-80x60.jpg 80w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption id=\"caption-attachment-50819\" class=\"wp-caption-text\">Agfa Avipan 200<\/figcaption><\/figure>\n<blockquote><p>Z \u010deho tedy vyb\u00edrat? Na na\u0161em webu najdete tyto zna\u010dky: Agfa, Foma, Fujifilm, Kodak, Ilford. Pro za\u010d\u00e1tek bych osobn\u011b doporu\u010dil <strong><a href=\"https:\/\/www.fotolab.cz\/produkt\/fomapan-200-135-36-cernobily-kinofilm?cref=cew_ref_blog_analogovy-film-fenomen-na-vzestupu_x_x\" target=\"_blank\" rel=\"noopener\">Fomapan 200<\/a><\/strong>, <strong><a href=\"https:\/\/www.fotolab.cz\/produkt\/ilford-xp2-400-36?cref=cew_ref_blog_analogovy-film-fenomen-na-vzestupu_x_x\" target=\"_blank\" rel=\"noopener\">Ilford XP2 Super 400<\/a><\/strong> a&nbsp;Kodak Tri-X 400TX.<\/p>\n<p>&nbsp;<\/p><\/blockquote>\n<figure id=\"attachment_50828\" aria-describedby=\"caption-attachment-50828\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-50828\" src=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/FujiFilm_200_Superia-300x197.jpg\" alt=\"\" width=\"700\" height=\"459\" srcset=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/FujiFilm_200_Superia-300x197.jpg 300w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/FujiFilm_200_Superia-768x504.jpg 768w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/FujiFilm_200_Superia-1536x1007.jpg 1536w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/FujiFilm_200_Superia-2048x1343.jpg 2048w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/FujiFilm_200_Superia-50x33.jpg 50w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/FujiFilm_200_Superia-370x243.jpg 370w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/FujiFilm_200_Superia-270x177.jpg 270w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/FujiFilm_200_Superia-740x485.jpg 740w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption id=\"caption-attachment-50828\" class=\"wp-caption-text\">FujiFilm 200 Superia<\/figcaption><\/figure>\n<p><a href=\"https:\/\/www.fotolab.cz\/produkt\/fomapan-200-135-36-cernobily-kinofilm?cref=cew_ref_blog_blog-analogovy-film-fenomen-na-vzestupu_x_x\" target=\"_blank\" rel=\"noopener\"><strong>Fomapan 100\/200<\/strong><\/a> je trefa do \u010dern\u00e9ho, pokud chcete za\u010d\u00edt fotit a&nbsp;z\u00e1rove\u0148 si film vyvol\u00e1vat doma. \u010cesk\u00e1 v\u00fdroba a&nbsp;uzn\u00e1van\u00e1 kvalita, kter\u00e1 v\u00e1s pot\u011b\u0161\u00ed za p\u0159\u00edjemnou cenu.<\/p>\n<figure id=\"attachment_50825\" aria-describedby=\"caption-attachment-50825\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-50825\" src=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Fomapan_200-300x300.jpg\" alt=\"Pob\u0159e\u017e\u00ed Francie\" width=\"700\" height=\"698\" srcset=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Fomapan_200-300x300.jpg 300w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Fomapan_200-150x150.jpg 150w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Fomapan_200-768x766.jpg 768w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Fomapan_200-50x50.jpg 50w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Fomapan_200-370x369.jpg 370w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Fomapan_200-270x269.jpg 270w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Fomapan_200-740x738.jpg 740w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Fomapan_200-400x400.jpg 400w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Fomapan_200-350x350.jpg 350w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Fomapan_200-200x200.jpg 200w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Fomapan_200-51x51.jpg 51w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Fomapan_200.jpg 1286w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption id=\"caption-attachment-50825\" class=\"wp-caption-text\">Fomapan 200<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_50824\" aria-describedby=\"caption-attachment-50824\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-50824\" src=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Foma_200_Podchod-300x201.jpg\" alt=\"Podchod\" width=\"700\" height=\"470\" srcset=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Foma_200_Podchod-300x201.jpg 300w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Foma_200_Podchod-768x516.jpg 768w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Foma_200_Podchod-1536x1031.jpg 1536w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Foma_200_Podchod-2048x1375.jpg 2048w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Foma_200_Podchod-50x34.jpg 50w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Foma_200_Podchod-370x248.jpg 370w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Foma_200_Podchod-270x181.jpg 270w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Foma_200_Podchod-740x497.jpg 740w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption id=\"caption-attachment-50824\" class=\"wp-caption-text\">Fomapan 200<\/figcaption><\/figure>\n<blockquote><p>Tip pro v\u0161echny: pokud fot\u00edte na Fomu 200, nastavte si na fotoapar\u00e1tu ISO 400, ale nechejte si film vyvolat na ISO 200.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p>Dal\u0161\u00ed film, kter\u00fd r\u00e1d doporu\u010d\u00edm, je <a href=\"https:\/\/www.fotolab.cz\/produkt\/ilford-xp2-400-36?cref=cew_ref_blog_blog-analogovy-film-fenomen-na-vzestupu_x_x\" target=\"_blank\" rel=\"noopener\"><strong>Ilford XP2 Super 400<\/strong><\/a>. Bav\u00ed m\u011b zrno, kontrast. A&nbsp;pak je tu legend\u00e1rn\u00ed <a href=\"https:\/\/www.fotolab.cz\/produkt\/kodak-tri-x-400tx-135-36?cref=cew_ref_blog_blog-analogovy-film-fenomen-na-vzestupu_x_x\" target=\"_blank\" rel=\"noopener\" class=\"broken_link\"><strong>Kodak Tri-X 400TX<\/strong><\/a>, panchromatick\u00fd film vy\u0161\u0161\u00ed citlivosti. Velk\u00e1 expozi\u010dn\u00ed pru\u017enost, jemn\u00e9 zrno, tak\u017ee film, kter\u00fd m\u00e1 univerz\u00e1ln\u00ed vyu\u017eit\u00ed.<br \/>\nDoporu\u010den\u00e9 v\u00fdvojky jsou KODAK D-76 (Ilford ID-11), Kodak T-MAX a&nbsp;HC-110<\/p>\n<figure id=\"attachment_50832\" aria-describedby=\"caption-attachment-50832\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-50832\" src=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Ilford_XP2_400_Super_houba-300x197.jpg\" alt=\"\u010dernob\u00edl\u00fd film, Ilford, bokeh\" width=\"700\" height=\"459\" srcset=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Ilford_XP2_400_Super_houba-300x197.jpg 300w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Ilford_XP2_400_Super_houba-768x503.jpg 768w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Ilford_XP2_400_Super_houba-1536x1007.jpg 1536w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Ilford_XP2_400_Super_houba-50x33.jpg 50w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Ilford_XP2_400_Super_houba-370x243.jpg 370w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Ilford_XP2_400_Super_houba-270x177.jpg 270w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Ilford_XP2_400_Super_houba-740x485.jpg 740w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Ilford_XP2_400_Super_houba.jpg 1652w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption id=\"caption-attachment-50832\" class=\"wp-caption-text\">Ilford_XP2_400_Super<\/figcaption><\/figure>\n<h3>&nbsp;<\/h3>\n<h2>\u200b<strong>Barevn\u00fd film<\/strong><\/h2>\n<p>Ka\u017ed\u00fd barevn\u00fd film m\u00e1 3 vrstvy \u010dernob\u00edl\u00e9 halogenidov\u00e9 emulze \u2013 jedna zachycuje modrou, druh\u00e1 zelenou a&nbsp;t\u0159et\u00ed \u010dervenou (RGB). P\u0159i vyvol\u00e1v\u00e1n\u00ed barvotvornou v\u00fdvojkou vznik\u00e1 v&nbsp;ka\u017ed\u00e9 t\u00e9to vrstv\u011b jin\u00e9 barvivo. Po odstran\u011bn\u00ed nevyvolan\u00e9ho st\u0159\u00edbra z\u016fst\u00e1v\u00e1 podobn\u011b jako u&nbsp;\u010dernob\u00edl\u00e9ho negativu hotov\u00fd obraz!<\/p>\n<p>I u&nbsp;barevn\u00e9ho filmu je d\u016fle\u017eit\u00e1 volba citlivosti a&nbsp;plat\u00ed zde stejn\u00e9 pravidlo, jako u&nbsp;\u010dernob\u00edl\u00e9ho. Co by v\u00e1s je\u0161t\u011b m\u011blo zaj\u00edmat krom\u011b \u010d\u00edsla ISO? Mezi jednotliv\u00fdmi zna\u010dkami jsou jist\u00e9 rozd\u00edly v&nbsp;pou\u017eit\u00ed barviv. Je v\u0161eobecn\u011b zn\u00e1mo, \u017ee filmy od Kodaku jsou teplej\u0161\u00ed a&nbsp;zase u&nbsp;Fujifilm maj\u00ed p\u011bkn\u00e9 pod\u00e1n\u00ed zelen\u00e9 barvy a&nbsp;p\u016fsob\u00ed chladn\u011bji. Je dobr\u00e9 si jednotliv\u00e9 zna\u010dky osahat a&nbsp;pou\u017e\u00edvat je dle va\u0161\u00ed konkr\u00e9tn\u00ed p\u0159edstavy.&nbsp;Dal\u0161\u00edm faktorem p\u0159i v\u00fdb\u011bru materi\u00e1lu je typ sv\u011btla. Existuj\u00ed barevn\u00e9 filmy&nbsp;pro sv\u011btlo p\u0159irozen\u00e9 a&nbsp;pro um\u011bl\u00e9 (ateli\u00e9r). Sv\u011btlo, kter\u00e9 vyd\u00e1v\u00e1 \u017e\u00e1rovka nebo z\u00e1\u0159ivka,&nbsp;m\u00e1 toti\u017e \u00fapln\u011b jinou barvu (tzv. teplotu&nbsp;chromati\u010dnosti) ne\u017e to p\u0159irozen\u00e9, proto je dobr\u00e9 t\u00e9to mo\u017enosti vyu\u017e\u00edt, pokud m\u00e1te na v\u00fdb\u011br.<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p>Z \u010deho vyb\u00edrat: Kodak, Fujifilm a&nbsp;speci\u00e1ln\u00ed filmy pro focen\u00ed v&nbsp;noci, jako t\u0159eba Cinestill<\/p>\n<p>M\u00e9 osobn\u00ed doporu\u010den\u00ed: <a href=\"https:\/\/www.fotolab.cz\/produkt\/kodak-ektar-100-135-36?cref=cew_ref_blog_analogovy-film-fenomen-na-vzestupu_x_x\" class=\"broken_link\"><strong>Kodak Ektar 100<\/strong><\/a>, <strong><a href=\"https:\/\/www.fotolab.cz\/produkt\/kodak-gold-200-gb-135-36-barevny-kinofilm?cref=cew_ref_blog_analogovy-film-fenomen-na-vzestupu_x_x\">Kodak Gold 200<\/a><\/strong> a&nbsp;<strong><a href=\"https:\/\/www.fotolab.cz\/produkt\/kodak-portra-400-120-5-pack?cref=cew_ref_blog_analogovy-film-fenomen-na-vzestupu_x_x\" class=\"broken_link\">Kodak Portra 400<\/a><\/strong><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p>Kodak Ektar 100 je film, kter\u00fd pou\u017e\u00edv\u00e1m od za\u010d\u00e1tku focen\u00ed na analog a&nbsp;okam\u017eit\u011b jsem si ho zamiloval. Je to sice jen ISO 100, tak\u017ee doporu\u010duji s&nbsp;n\u00edm fotit nejl\u00e9pe v&nbsp;l\u00e9t\u011b venku.<\/p>\n<figure id=\"attachment_50839\" aria-describedby=\"caption-attachment-50839\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-50839\" src=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Ektar_100_Seignosse-300x300.jpg\" alt=\"\" width=\"700\" height=\"702\" srcset=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Ektar_100_Seignosse-300x300.jpg 300w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Ektar_100_Seignosse-150x150.jpg 150w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Ektar_100_Seignosse-768x770.jpg 768w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Ektar_100_Seignosse-50x50.jpg 50w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Ektar_100_Seignosse-370x371.jpg 370w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Ektar_100_Seignosse-270x271.jpg 270w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Ektar_100_Seignosse-740x742.jpg 740w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Ektar_100_Seignosse-400x400.jpg 400w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Ektar_100_Seignosse-350x350.jpg 350w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Ektar_100_Seignosse-200x200.jpg 200w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Ektar_100_Seignosse-51x51.jpg 51w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Ektar_100_Seignosse.jpg 1253w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption id=\"caption-attachment-50839\" class=\"wp-caption-text\">Kodak Ektar 100<\/figcaption><\/figure>\n<p>Mezi dal\u0161\u00ed filmy, kter\u00e9 najdete v&nbsp;m\u00e9m batohu, pat\u0159\u00ed jak\u00e1koliv verze <strong><a href=\"https:\/\/www.fotolab.cz\/produkt\/kodak-portra-400-135-36-5-pack?cref=cew_ref_blog_analogovy-film-fenomen-na-vzestupu_x_x\" target=\"_blank\" rel=\"noopener\" class=\"broken_link\">Kodak Portra<\/a><\/strong> 160\/400\/800. Je sice dra\u017e\u0161\u00ed, ale jeho v\u00fdsledek v\u00e1s p\u0159\u00edjemn\u011b p\u0159ekvap\u00ed a&nbsp;zajist\u00e9 se v\u00e1m zal\u00edb\u00ed. Ne nadarmo ho pou\u017e\u00edv\u00e1 valn\u00e1 v\u011bt\u0161ina fotograf\u016f.<\/p>\n<figure id=\"attachment_50910\" aria-describedby=\"caption-attachment-50910\" style=\"width: 498px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-50910\" src=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Portra_160_France-300x300.jpg\" alt=\"\" width=\"498\" height=\"500\" srcset=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Portra_160_France-300x300.jpg 300w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Portra_160_France-150x150.jpg 150w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Portra_160_France-768x770.jpg 768w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Portra_160_France-50x50.jpg 50w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Portra_160_France-370x371.jpg 370w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Portra_160_France-270x271.jpg 270w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Portra_160_France-740x742.jpg 740w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Portra_160_France-350x350.jpg 350w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Portra_160_France-200x200.jpg 200w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Portra_160_France-51x51.jpg 51w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Portra_160_France.jpg 960w\" sizes=\"(max-width: 498px) 100vw, 498px\" \/><figcaption id=\"caption-attachment-50910\" class=\"wp-caption-text\">Kodak Portra 160<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_50840\" aria-describedby=\"caption-attachment-50840\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-50840\" src=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Gold_200_Vetrnik-300x300.jpg\" alt=\"\" width=\"700\" height=\"702\" srcset=\"https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Gold_200_Vetrnik-300x300.jpg 300w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Gold_200_Vetrnik-150x150.jpg 150w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Gold_200_Vetrnik-768x770.jpg 768w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Gold_200_Vetrnik-1532x1536.jpg 1532w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Gold_200_Vetrnik-2042x2048.jpg 2042w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Gold_200_Vetrnik-50x50.jpg 50w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Gold_200_Vetrnik-370x371.jpg 370w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Gold_200_Vetrnik-270x271.jpg 270w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Gold_200_Vetrnik-740x742.jpg 740w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Gold_200_Vetrnik-400x400.jpg 400w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Gold_200_Vetrnik-350x350.jpg 350w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Gold_200_Vetrnik-200x200.jpg 200w, https:\/\/www.fotolab.cz\/blog\/wp-content\/uploads\/2023\/05\/Kodak_Gold_200_Vetrnik-51x51.jpg 51w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption id=\"caption-attachment-50840\" class=\"wp-caption-text\">Kodak Gold 200<\/figcaption><\/figure>\n<h2><strong>Diapozitivn\u00ed (inverzn\u00ed) film<\/strong><\/h2>\n<p>V\u0161ichni ur\u010dit\u011b zn\u00e1me kdysi velice obl\u00edben\u00e9 di\u00e1ky a&nbsp;prom\u00edt\u00e1n\u00ed na ze\u010f pokoje p\u0159es&nbsp;prom\u00edta\u010dku. Diapozitiv&nbsp;je vlastn\u011b pozitivn\u00ed (barevn\u00fd nebo \u010dernob\u00edl\u00fd) obraz na pr\u016fhledn\u00e9m podkladu&nbsp;vznikl\u00fd inverzn\u00edm vyvol\u00e1vac\u00edm procesem (E-6 proces). V\u00fdsledn\u00e9 sn\u00edmky jsou&nbsp;vysoce jemnozrnn\u00e9. Je nutn\u00e9 velmi p\u0159esn\u011b exponovat, pon\u011bvad\u017e&nbsp;jsou hodn\u011b&nbsp;\u201eexpozi\u010dn\u011b nepru\u017en\u00e9\u201c, ale kdy\u017e to fotograf s&nbsp;diapozitivy um\u00ed, je to velk\u00e1 par\u00e1da!<\/p>\n<blockquote><p>Z&nbsp;\u010deho vyb\u00edrat: Fujifilm a&nbsp;Kodak<\/p>\n<p>M\u00e9 osobn\u00ed doporu\u010den\u00ed: <strong><a href=\"https:\/\/www.fotolab.cz\/produkt\/kodak-ektar-100-135-36?cref=cew_ref_blog_analogovy-film-fenomen-na-vzestupu_x_x\" class=\"broken_link\">Fujifilm Provia 100<\/a> <\/strong>a Kodak Ektachrome 100<\/p><\/blockquote>\n<p>Fujifilm Provia 100 je n\u00e1dhern\u00fd diafilm, kter\u00fd r\u00e1d pou\u017e\u00edv\u00e1m pro focen\u00ed portr\u00e9t\u016f. Na pol\u00ed\u010dku 6 x&nbsp;4,5 v\u0161e n\u00e1dhern\u011b vynikne. Kodak Ektachrome 100 je jemnozrnn\u00fd film, ale oproti Fuji m\u00e1 teplej\u0161\u00ed barvy a&nbsp;hod\u00ed se jak na portr\u00e9tn\u00ed fotografii, tak i&nbsp;na krajinky.<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>Z\u00e1bavn\u00e9 filmy<\/strong><\/h2>\n<p>Nadpis zn\u00ed a\u017e zvl\u00e1\u0161tn\u011b, ale v&nbsp;dne\u0161n\u00ed dob\u011b jsou i&nbsp;barevn\u00e9 filmov\u00e9 materi\u00e1ly, kter\u00e9 maj\u00ed do tradi\u010dn\u00edho pojet\u00ed obrazu dost daleko (dal\u0161\u00ed d\u016fkaz, \u017ee analog nepat\u0159\u00ed&nbsp;do star\u00e9ho \u017eeleza). Tak\u017ee pokud chcete experimentovat, koukejte po filmech od zna\u010dky Revolog a&nbsp;Kono. Pokud v\u00e1s trochu bav\u00ed um\u011bn\u00ed a&nbsp;vysoce saturovan\u00e9 barvy, tak s\u00e1hn\u011bte po filmech od Lomography nebo filmu&nbsp;Rollei Crossbird, kter\u00fd je mo\u017en\u00e9 zpracovat jako diapozitiv i&nbsp;negativ (tzv. Cross procesem), kdy se diapozitiv vyvol\u00e1 klasickou barevnou cestou.<\/p>\n<p>&nbsp;<\/p>\n<p>\u0158\u00edk\u00e1te si, \u017ee je to a\u017e p\u0159\u00edli\u0161 slo\u017eit\u00e9 a&nbsp;je toho hrozn\u011b moc? Tak m\u00e1te pravdu, je to toti\u017e trochu jin\u00fd sv\u011bt, ale nen\u00ed t\u0159eba se toho b\u00e1t. Analog je kr\u00e1sn\u00e1 v\u011bc a&nbsp;jak ho \u010dlov\u011bk okus\u00ed a&nbsp;p\u0159ijde mu na chu\u0165, u\u017e se toho nevzd\u00e1. Je to proces, kter\u00fd si u\u017e\u00edv\u00e1te od za\u010d\u00e1tku do konce, od koupen\u00ed filmu, zalo\u017een\u00ed do fotoapar\u00e1tu, a\u017e po kone\u010dn\u00e9 skenov\u00e1n\u00ed v\u00fdsledn\u00fdch fotek.<\/p>\n<p>Jestli v\u00e1s to u\u017e chytlo, tak jedin\u00e1 rada je po\u0159\u00e1d stejn\u00e1, fo\u0165te, kupujte filmy, st\u0159\u00eddejte je a&nbsp;u\u017e\u00edvejte si to. P\u0159em\u00fd\u0161lejte nad ka\u017edou fotkou, nikam nesp\u011bchejte a&nbsp;sd\u00edlejte to s&nbsp;lidi, kte\u0159\u00ed tomu propadli stejn\u011b jako vy.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jestli se zaj\u00edm\u00e1te o&nbsp;analogovou fotografii, tak v\u00edte, \u017ee to je p\u0159esn\u011b to kouzlo, kter\u00e9 chceme za\u017e\u00edvat poka\u017ed\u00e9, kdy\u017e vlo\u017e\u00edme film do fotoapar\u00e1tu. Proto nen\u00ed divu, \u017ee se analogov\u00e1 fotografie op\u011bt st\u00e1v\u00e1 masov\u00fdm fenom\u00e9nem po cel\u00e9m sv\u011bt\u011b&#8230;<\/p>\n","protected":false},"author":290,"featured_media":50830,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1995,256,678],"tags":[],"class_list":["post-50816","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analogova-fotografie","category-fotograficka-poradna","category-fotografie"],"wppr_data":{"cwp_meta_box_check":"No"},"_links":{"self":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts\/50816"}],"collection":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/users\/290"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/comments?post=50816"}],"version-history":[{"count":10,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts\/50816\/revisions"}],"predecessor-version":[{"id":50934,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts\/50816\/revisions\/50934"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/media\/50830"}],"wp:attachment":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/media?parent=50816"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/categories?post=50816"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/tags?post=50816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}