{"id":41176,"date":"2021-04-01T15:40:31","date_gmt":"2021-04-01T13:40:31","guid":{"rendered":"https:\/\/www.fotolab.cz\/blog\/?p=41176"},"modified":"2023-05-26T10:57:55","modified_gmt":"2023-05-26T08:57:55","slug":"fotografovani-pri-nataceni-filmovych-scen","status":"publish","type":"post","link":"https:\/\/www.fotolab.cz\/blog\/fotografovani-pri-nataceni-filmovych-scen\/","title":{"rendered":"Fotografov\u00e1n\u00ed p\u0159i nat\u00e1\u010den\u00ed filmov\u00fdch sc\u00e9n"},"content":{"rendered":"

Fotografov\u00e9 \u010dasto hraj\u00ed d\u016fle\u017eitou roli p\u0159i dokumentaci pr\u016fb\u011bhu filmov\u00e9ho nat\u00e1\u010den\u00ed. Zprost\u0159edkovan\u00fd pohled do z\u00e1kulis\u00ed je ide\u00e1ln\u00ed p\u0159\u00edle\u017eitost\u00ed pro fotografy, kte\u0159\u00ed se v\u011bnuj\u00ed portr\u00e9t\u016fm a report\u00e1\u017ei. O sv\u00e9 zku\u0161enosti s t\u00edmto typem tvorby se pod\u011blil jeden z ambasador\u016f spole\u010dnosti Sony Christophe Brachet.<\/strong><\/p>\n

\u201eM\u00e1 v\u00fdbava Alpha umo\u017e\u0148uje tich\u00e9 fotografov\u00e1n\u00ed a to je pro mou pr\u00e1ci naprosto z\u00e1sadn\u00ed,\u201d<\/em> \u0159\u00edk\u00e1 Christophe. \u201eJe toti\u017e velice d\u016fle\u017eit\u00e9, abych nikoho na sc\u00e9n\u011b neru\u0161il a nevyd\u00e1val \u017e\u00e1dn\u00e9 zvuky, kter\u00e9 by mohl zachytit mikrofon. Pro m\u011b osobn\u011b je tak\u00e9 podstatn\u00e9, \u017ee tak mohu vytv\u00e1\u0159et naprosto p\u0159irozen\u00e9 momentky, a to je vlastn\u011b cel\u00fd d\u016fvod, pro\u010d tam jsem.\u201c<\/em><\/p>\n

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Jak si dok\u00e1\u017eete p\u0159edstavit, pr\u00e1ce na m\u00edst\u011b, kde se nat\u00e1\u010d\u00ed film, m\u016f\u017ee b\u00fdt slo\u017eit\u00e1. Kolem hlavn\u00ed nat\u00e1\u010den\u00e9 sc\u00e9ny prob\u00edh\u00e1 hore\u010dn\u00e1 aktivita, a proto Christophe \u010dasto mus\u00ed pracovat ve st\u00edsn\u011bn\u00fdch prostor\u00e1ch. Jednou z v\u00fdhod jeho bezzrcadlov\u00fdch fotoapar\u00e1t\u016f Alpha<\/span><\/strong> oproti digit\u00e1ln\u00edm zrcadlovk\u00e1m (DSLR) je jejich men\u0161\u00ed velikost a tak\u00e9 v\u00fdklopn\u00e1 obrazovka, s jej\u00ed\u017e pomoc\u00ed Christophe snadno najde vhodn\u00fd \u00fahel, kdy\u017e nen\u00ed prostoru nazbyt.<\/p>\n

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V\u011bt\u0161inu \u010dasu fot\u00ed Christophe v re\u017eimu Raw a JPEG a obr\u00e1zky JPEG obecn\u011b pou\u017e\u00edv\u00e1 p\u0159\u00edmo v t\u00e9 podob\u011b, v jak\u00e9 je fotoapar\u00e1t vytv\u00e1\u0159\u00ed. \u201eV\u0161echny \u010dernob\u00edl\u00e9 obr\u00e1zky obvykle fot\u00edm na\u017eivo na fotoapar\u00e1tu,\u201c<\/em> vysv\u011btluje, \u201ea pou\u017e\u00edv\u00e1m efekt \u010dernob\u00edl\u00e9ho sn\u00edmku s vysok\u00fdm kontrastem. L\u00edb\u00ed se mi, \u017ee mohu vytvo\u0159it n\u00e1dhern\u00fd obr\u00e1zek a pou\u017e\u00edt ho p\u0159\u00edmo z fotoapar\u00e1tu, ani\u017e bych ho musel upravovat.\u201c<\/em><\/p>\n

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\u010ct\u011bte tak\u00e9 na blogu: Kdy zvolit RAW a kdy JPEG<\/a><\/span><\/strong><\/h4>\n<\/blockquote>\n

P\u0159itom Christophe samoz\u0159ejm\u011b op\u011bt uplatn\u00ed zadn\u00ed displej a hled\u00e1\u010dek, aby m\u011bl jistotu, \u017ee expozice bude p\u0159esn\u011b takov\u00e1, jak si p\u0159edstavuje, je\u0161t\u011b ne\u017e stiskne spou\u0161\u0165.<\/p>\n

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Christophe p\u0159i focen\u00ed filmov\u00fdch sc\u00e9n pou\u017e\u00edv\u00e1 celou \u0159adu p\u0159\u00edstroj\u016f Alpha, v\u010detn\u011b \u0159ady \u03b19<\/strong><\/span>. V\u011bt\u0161in\u011b lid\u00ed si p\u0159i zm\u00ednce o t\u00e9to \u0159ad\u011b vybav\u00ed rychl\u00fd fotoapar\u00e1t pro focen\u00ed akce a sportu. Christophe jeho rychlost vyu\u017e\u00edv\u00e1, aby m\u011bl jistotu, \u017ee se m\u016f\u017ee soust\u0159edit na kompozici a to, co se p\u0159ed n\u00edm odehr\u00e1v\u00e1.<\/p>\n

\u201eRychlost ost\u0159en\u00ed je pro m\u011b d\u016fle\u017eit\u00e1. Obvykle fot\u00edm s n\u00edzkou clonou, a proto pot\u0159ebuji m\u00edt jistotu, \u017ee o\u010di objektu budou dokonale zaost\u0159en\u00e9. Automatick\u00e9 zaost\u0159en\u00ed na o\u010di mi umo\u017e\u0148uje fotit s malou hloubkou ostrosti, a p\u0159itom v\u00edm, \u017ee o\u010di budou v ka\u017ed\u00e9m sn\u00edmku dokonale ostr\u00e9.\u201d<\/em><\/p>\n

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V\u00fdhodou je tak\u00e9 \u0161irok\u00e1 nab\u00eddka objektiv\u016f a Christophe ve sv\u00e9 bra\u0161n\u011b nos\u00ed rozmanitou v\u00fdbavu s pevnou ohniskovou vzd\u00e1lenost\u00ed i se zoomem. Pou\u017e\u00edv\u00e1 objektivy Sony FE 24 mm f\/1,4 G Master<\/a><\/strong><\/span>, FE 35 mm f\/1,8<\/a><\/span><\/strong> a FE 55 mm f\/1,8 ZA<\/a><\/strong><\/span>. Jeho absolutn\u011b nejobl\u00edben\u011bj\u0161\u00edm je ale objektiv FE 135 mm f\/1,8 G Master<\/a><\/strong><\/span>. \u201ePodle m\u00e9ho n\u00e1zoru,\u201c<\/em> \u0159\u00edk\u00e1 Christophe, \u201eje to opticky nejlep\u0161\u00ed objektiv, kter\u00fd produkuje mimo\u0159\u00e1dn\u011b ostr\u00e9 sn\u00edmky, s rychl\u00fdm a tich\u00fdm automatick\u00fdm ost\u0159en\u00edm.\u201c<\/em><\/p>\n

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\u010ct\u011bte tak\u00e9 na blogu: Sony A7C \u2013 test nejmen\u0161\u00ed plnoform\u00e1tov\u00e9 bezzrcadlovky<\/a><\/strong><\/span><\/h4>\n<\/blockquote>\n

Christophe je ambasadorem Sony Europe Imaging a jeho dal\u0161\u00ed pr\u00e1ce jsou k vid\u011bn\u00ed na str\u00e1nce www.sony.cz\/alphauniverse<\/strong><\/span><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Fotografov\u00e9 \u010dasto hraj\u00ed d\u016fle\u017eitou roli p\u0159i dokumentaci pr\u016fb\u011bhu filmov\u00e9ho nat\u00e1\u010den\u00ed. Zprost\u0159edkovan\u00fd pohled do z\u00e1kulis\u00ed je ide\u00e1ln\u00ed p\u0159\u00edle\u017eitost\u00ed pro fotografy, kte\u0159\u00ed se v\u011bnuj\u00ed portr\u00e9t\u016fm a report\u00e1\u017ei. O sv\u00e9 zku\u0161enosti s t\u00edmto typem tvorby se pod\u011blil jeden z ambasador\u016f spole\u010dnosti Sony Christophe Brachet.<\/p>\n","protected":false},"author":12,"featured_media":41182,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[559,18],"tags":[],"class_list":["post-41176","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fotolab-fotoradce","category-novinky"],"wppr_data":{"cwp_meta_box_check":"No"},"_links":{"self":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts\/41176"}],"collection":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/comments?post=41176"}],"version-history":[{"count":10,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts\/41176\/revisions"}],"predecessor-version":[{"id":51184,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts\/41176\/revisions\/51184"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/media\/41182"}],"wp:attachment":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/media?parent=41176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/categories?post=41176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/tags?post=41176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}