{"id":35777,"date":"2020-08-07T16:00:48","date_gmt":"2020-08-07T14:00:48","guid":{"rendered":"https:\/\/www.fotolab.cz\/blog\/?p=35777"},"modified":"2024-09-06T08:48:31","modified_gmt":"2024-09-06T06:48:31","slug":"foceni-zvirat-vyhnete-se-typickym-chybam","status":"publish","type":"post","link":"https:\/\/www.fotolab.cz\/blog\/foceni-zvirat-vyhnete-se-typickym-chybam\/","title":{"rendered":"Focen\u00ed zv\u00ed\u0159at: vyhn\u011bte se typick\u00fdm chyb\u00e1m \u00a0"},"content":{"rendered":"

Stejn\u011b jako dobr\u00e9ho \u0159idi\u010de ned\u011bl\u00e1 drah\u00e9 auto, ale mno\u017estv\u00ed najet\u00fdch kilometr\u016f, n\u00e1kupem drah\u00e9 fotografick\u00e9 techniky se z v\u00e1s p\u0159es noc dobr\u00fd fotograf tak\u00e9 nestane. Pokud jste si vybrali fototechniku zodpov\u011bdn\u011b a odpov\u00edd\u00e1 va\u0161emu hlavn\u00edmu zam\u011b\u0159en\u00ed, je t\u0159eba postupn\u011b proniknout do taj\u016f tvorby fotografie. To je ten nejkr\u00e1sn\u011bj\u0161\u00ed a z\u00e1rove\u0148 nejdel\u0161\u00ed proces. <\/strong><\/p>\r\n

V\u00a0n\u00e1sleduj\u00edc\u00edch \u0159\u00e1dc\u00edch se s\u00a0v\u00e1mi Petr Bambousek pod\u011bl\u00ed o n\u011bkolik praktick\u00fdch tip\u016f, jak se vyhnout nej\u010dast\u011bj\u0161\u00edm probl\u00e9m\u016fm, kter\u00e9 wildlife fotografii doprov\u00e1z\u00ed. Ne\u017e budete \u010d\u00edst d\u00e1l, p\u0159ipome\u0148te si p\u0159\u00edb\u011bh frustrovan\u00e9ho fotografa z\u00a0\u00favodu p\u0159edchoz\u00edho \u010dl\u00e1nku. N\u00ed\u017ee uveden\u00e9 proh\u0159e\u0161ky v\u00a0n\u011bm ur\u010dit\u011b najdete.<\/p>\r\n

\"Kul\u00ed\u0161ek<\/a>
Kul\u00ed\u0161ek nejmen\u0161\u00ed, \u010cesk\u00e1 republika,
Olympus E-M1 Mark II; M.Zuiko 300mm\/4 IS; TC 1.4x; f 5.6; 1\/30s; ISO 500<\/figcaption><\/figure>\r\n

1. Nepodce\u0148ujte pohyb v p\u0159\u00edrod\u011b a nalezen\u00ed vhodn\u00e9 fotolokace<\/h2>\r\n

Z\u00a0vypr\u00e1v\u011bn\u00ed autora p\u0159\u00edb\u011bhu je patrn\u00e9, \u017ee zvolil hodn\u011b nev\u00fdhodnou strategii \u2013 chozen\u00ed po lese. Je zcela spr\u00e1vn\u00e9 p\u0159i focen\u00ed vyu\u017e\u00edt nen\u00e1padn\u00e9 oble\u010den\u00ed nebo maskovac\u00ed vzory. Ov\u0161em p\u0159edstava, \u017ee takto \u201emaskovan\u00fd\u201c fotograf si chozen\u00edm po lese dom\u016f p\u0159inese fotky, je myln\u00e1. Pokuste se sv\u016fj p\u0159\u00edchod na m\u00edsto zkr\u00e1tit, jak to jen jde, a m\u00edsto poch\u00e1zen\u00ed si sednout do \u00fastran\u00ed a splynout s\u00a0okoln\u00ed p\u0159\u00edrodou. Budete pot\u0159ebovat velkou trp\u011blivost. Zv\u00ed\u0159ata va\u0161\u00edm p\u0159\u00edchodem zpozorn\u011bla a je t\u0159eba jim d\u00e1t \u010das, aby se op\u011bt uklidnila. I p\u0159i nehybn\u00e9m sezen\u00ed se vyvarujte jak\u00fdchkoli prudk\u00fdch pohyb\u016f. Nevinn\u00e9 odh\u00e1n\u011bn\u00ed kom\u00e1r\u016f je pro zv\u00ed\u0159ata stejn\u011b ru\u0161iv\u00e9 jako jak\u00fdkoli jin\u00fd pohyb. Zvykn\u011bte si na nov\u00e9ho kamar\u00e1da va\u0161eho pobytu v\u00a0p\u0159\u00edrod\u011b \u2013 repelent. Kdy\u017e objev\u00edte m\u00edsto, kam se zv\u00ed\u0159ata vracej\u00ed, budete je i sebe nejm\u00e9n\u011b omezovat p\u0159enosn\u00fdm krytem. T\u00edm, \u017ee umo\u017en\u00edte zv\u00ed\u0159at\u016fm chovat se p\u0159irozen\u011b, poda\u0159\u00ed se v\u00e1m k\u00a0nim dostat bl\u00ed\u017ee, respektive \u2013 sama se p\u0159ibl\u00ed\u017e\u00ed. Po\u010d\u00edtejte s\u00a0t\u00edm, \u017ee zv\u00ed\u0159ata pot\u0159ebuj\u00ed \u010das, aby si na nov\u00fd element zvykla. N\u011bkdy sta\u010d\u00ed den, jindy t\u0159eba t\u00fdden.<\/p>\r\n

\u0158e\u0161en\u00ed: Vyvarujte se pohybu v\u00a0ter\u00e9nu na minimum, zajist\u011bte si vhodn\u00fd \u00fakryt, \u010di maskovac\u00ed oble\u010den\u00ed. <\/strong><\/p>\r\n

2. Nesna\u017ete se ka\u017edou cenu o vysoce detailn\u00ed z\u00e1b\u011bry<\/h2>\r\n

Schopnost\u00ed dostat se ke zv\u00ed\u0159at\u016fm bl\u00edzko se vyhnete nutnost\u00ed d\u011blat velk\u00e9 v\u00fd\u0159ezy, aby na fotce bylo zv\u00ed\u0159e v\u016fbec patrn\u00e9. Pokud je prost\u0159ed\u00ed atraktivn\u00ed, je i tak mnohem p\u016fsobiv\u011bj\u0161\u00ed ho ve sn\u00edmku zanechat a nesna\u017eit se v\u017edy zv\u00ed\u0159ata prezentovat v\u00a0detailu.<\/p>\r\n

\u0158e\u0161en\u00ed: Nau\u010dte se splynout s p\u0159\u00edrodou. Krom\u011b detail\u016f se zam\u011b\u0159te i na \u0161ir\u0161\u00ed celky.
<\/strong><\/p>\r\n

\"Slav\u00edk<\/a>
Slav\u00edk modr\u00e1\u010dek, \u010cesk\u00e1 republika, Olympus E-M1 II, Panasonic-Leica 200mm\/2.8 I.O.S.<\/figcaption><\/figure>\r\n

3. Chyby v kompozici<\/h2>\r\n

Hodn\u011b fotograf\u016f spol\u00e9h\u00e1 na st\u0159edov\u00fd ost\u0159\u00edc\u00ed bod, proto\u017ee maj\u00ed probl\u00e9m zv\u00ed\u0159e v\u00a0hled\u00e1\u010dku v\u016fbec naj\u00edt. I kdy\u017e si d\u00e1te velkou pr\u00e1ci p\u0159i v\u00fdb\u011bru fo\u0165\u00e1ku, pamatujte, \u017ee mnohem d\u016fle\u017eit\u011bj\u0161\u00ed ne\u017e rychlost fo\u0165\u00e1ku, je rychlost va\u0161ich vlastn\u00edch reakc\u00ed. Schopnost spr\u00e1vn\u011b zaost\u0159it a zakomponovat sn\u00edmek se d\u00e1 natr\u00e9novat. Nepot\u0159ebujete k\u00a0tomu nic speci\u00e1ln\u00edho. Rychlou zm\u011bnu ost\u0159\u00edc\u00edho bodu, nastaven\u00ed hodnot fo\u0165\u00e1ku a schopnost naj\u00edt vzd\u00e1len\u00fd objekt, m\u016f\u017eete snadno zkou\u0161et z\u00a0okna sv\u00e9ho bydlen\u00ed. Vyberte si v\u00a0okol\u00ed dva body v\u00a0r\u016fzn\u00e9 vzd\u00e1lenosti (nap\u0159. sousedovo auto a strom) a sna\u017ete se je naj\u00edt a zaost\u0159it vybran\u00fdm AF bodem. Pak si d\u00e1vejte konkr\u00e9tn\u011bj\u0161\u00ed c\u00edle (\u0161i\u0161ka a konkr\u00e9tn\u00ed \u010d\u00edslice pozn\u00e1vac\u00ed zna\u010dky). U dlouh\u00fdch ohnisek to chv\u00edli trv\u00e1, ale \u010dasem zjist\u00edte, \u017ee v\u00e1m to jde \u010d\u00edm d\u00e1l rychleji a m\u00edsto st\u0159edov\u00e9 kompozice budete moci v\u00a0ter\u00e9nu snadno volit jin\u00e9 body. Pro za\u010d\u00e1tek je skv\u011bl\u00fdm vod\u00edtkem pravidlo t\u0159etin.<\/p>\r\n

\u0158e\u0161en\u00ed: Odpoutejte se od st\u0159edov\u00e9ho bodu a tr\u00e9nujte svou vlastn\u00ed akceschopnost.<\/strong><\/p>\r\n

\"Skokan<\/a>
Skokan ostronos\u00fd, \u010cR, Olympus E-M1 Mark II; M.Zuiko 300mm\/4 IS; TC 1.4x; f 5.6; 1\/80s; ISO 250<\/figcaption><\/figure>\r\n

4. Neostrost<\/h2>\r\n

Jedn\u00edm z\u00a0nej\u010dast\u011bj\u0161\u00edch probl\u00e9m\u016f za\u010d\u00ednaj\u00edc\u00edch fotograf\u016f je neostrost fotek. Jej\u00ed p\u0159\u00ed\u010diny jsou r\u016fzn\u00e9. M\u016f\u017ee se jednat o neostrost zp\u016fsobenou pohybem zv\u00ed\u0159ete. Ta se m\u016f\u017ee projevit podle druhu u\u017e od expozi\u010dn\u00edch \u010das\u016f del\u0161\u00edch ne\u017e 1\/400s. \u0158e\u0161en\u00edm je nastaven\u00ed vy\u0161\u0161\u00edho ISO, ni\u017e\u0161\u00ed clony nebo citliv\u00e9 pou\u017eit\u00ed blesku. Druhou variantou je neostrost zp\u016fsoben\u00e1 pohybem fo\u0165\u00e1ku \u2013 neostr\u00e9 je nejen zv\u00ed\u0159e, ale i v\u0161echno okolo. Tady op\u011bt hraje roli expozi\u010dn\u00ed \u010das a stabilita va\u0161\u00ed ruky. \u010c\u00edm del\u0161\u00ed ohnisko pou\u017eijete, t\u00edm v\u011bt\u0161\u00ed n\u00e1roky na celkovou stabilitu nastanou. U n\u011bkter\u00fdch fo\u0165\u00e1k\u016f to vy\u0159e\u0161\u00ed aktivace stabilizace v\u00a0t\u011ble nebo objektivu (p\u0159\u00edpadn\u011b kombinace, tzv. du\u00e1ln\u00ed stabilizace). Tam, kde to nepom\u016f\u017ee, vyu\u017eijte stativ (p\u0159\u00edpadn\u011b alespo\u0148 monopod).<\/p>\r\n

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\u010ct\u011bte tak\u00e9 na blogu: <\/strong>KDY POU\u017d\u00cdVAT A KDY NEPOU\u017d\u00cdVAT STATIV <\/a><\/strong><\/p>\r\n<\/blockquote>\r\n

Zejm\u00e9na p\u0159i dlouhodob\u00e9m dr\u017een\u00ed fo\u0165\u00e1ku v\u00a0ruce, svaly p\u0159estanou poslouchat. Kombinace zm\u011bny nastaven\u00ed a aktivace stabilizuj\u00edc\u00edch prvk\u016f v\u00a0drtiv\u00e9m mno\u017estv\u00ed p\u0159\u00edpad\u016f pom\u016f\u017ee. Stejn\u011b tak doporu\u010duji fotit v\u00a0kr\u00e1tk\u00fdch sekvenc\u00edch, kter\u00e9 zv\u00fd\u0161\u00ed potenci\u00e1l zachycen\u00ed ostr\u00fdch sn\u00edmk\u016f. Neostr\u00e9 pak vyma\u017eete. Na stejn\u00e9m cvi\u010den\u00ed jako v p\u0159edchoz\u00edm p\u0159\u00edpad\u011b m\u016f\u017eete zjistit, jak\u00e9 jsou va\u0161e komfortn\u00ed expozi\u010dn\u00ed \u010dasy, kter\u00e9 s\u00a0konkr\u00e9tn\u00edm objektivem udr\u017e\u00edte ostr\u00e9. P\u0159i pou\u017eit\u00ed velmi dlouh\u00fdch ohnisek tak\u00e9 m\u016f\u017ee nastat neostrost zp\u016fsoben\u00e1 chv\u011bn\u00edm tepl\u00e9ho vzduchu.<\/p>\r\n

\u0158e\u0161en\u00ed: zaktivujte stabiliza\u010dn\u00ed prvky, vyu\u017eijte stativ a zm\u011b\u0148te nastaven\u00ed fotoapar\u00e1tu. Pokud ovl\u00e1d\u00e1te pou\u017eit\u00ed blesku, m\u016f\u017ee se na zv\u00fd\u0161en\u00ed ostrosti tak\u00e9 pod\u00edlet.<\/strong><\/p>\r\n

\"\"<\/a>
Olympus \u2013 vyobrazen\u00ed principu du\u00e1ln\u00ed stabilizace v t\u011ble i objektivu apar\u00e1tu<\/figcaption><\/figure>\r\n
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\u010ct\u011bte tak\u00e9 na blogu: <\/strong><\/p>\r\n

STABILIZACE OBRAZU: PRINCIP FUNGOV\u00c1N\u00cd, V\u00ddHODY A NEV\u00ddHODY<\/a>
<\/strong><\/p>\r\n<\/blockquote>\r\n

5. Fotografov\u00e1n\u00ed p\u0159i nespr\u00e1vn\u00e9m sv\u011btle<\/h2>\r\n

Je a\u017e s\u00a0podivem, kolik fotograf\u016f st\u00e1le publikuje fotografie po\u0159\u00edzen\u00e9 v\u00a0ostr\u00e9m sv\u011btle. \u010cast\u00fdm argumentem je \u201eco jsem mohl d\u011blat, tak tam prost\u011b sv\u00edtilo\u201c. Nikde nen\u00ed ps\u00e1no, \u017ee je t\u0159eba v\u00a0takov\u00e9m sv\u011btle fotky po\u0159izovat. Pokud m\u016f\u017eete, vra\u0165te se na m\u00edsto v\u00a0lep\u0161\u00edch sv\u011bteln\u00fdch podm\u00ednk\u00e1ch. Za sv\u00edt\u00e1n\u00ed m\u016f\u017eete do fotek dostat mlhu, kter\u00e1 se m\u00e1lokdy objev\u00ed ve\u010der. Z\u00e1pady slunce zase trvaj\u00ed del\u0161\u00ed dobu a podm\u00ednky pro focen\u00ed se na rozd\u00edl od r\u00e1na postupem \u010dasu zlep\u0161uj\u00ed. Kdy\u017e se nedostanete ven r\u00e1no ani ve\u010der, pak je m\u00edsto focen\u00ed na p\u0159\u00edm\u00e9m slunci lep\u0161\u00ed volbou focen\u00ed p\u0159i zata\u017een\u00e9 obloze, kdy na fotk\u00e1ch nevznik\u00e1 takov\u00fd kontrast. Naopak rozmary po\u010das\u00ed jako v\u00edtr, d\u00e9\u0161\u0165 nebo sn\u011b\u017een\u00ed mohou fotk\u00e1m p\u0159idat na atraktivit\u011b.<\/p>\r\n

\u0158e\u0161en\u00ed: Nenu\u0165te se fotit za v\u0161ech okolnost\u00ed. Pokud je to jen trochu mo\u017en\u00e9, sledujte p\u0159edpov\u011b\u010f po\u010das\u00ed a na focen\u00ed vyrazte, a\u017e to bude d\u00e1vat smysl. Rann\u00ed a ve\u010dern\u00ed sv\u011btlo je na fotk\u00e1ch nejp\u0159\u00edjemn\u011bj\u0161\u00ed.<\/strong><\/p>\r\n

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\u010ct\u011bte tak\u00e9 na blogu: JAK VYU\u017d\u00cdT ROZMANITOSTI PO\u010cAS\u00cd B\u011aHEM FOCEN\u00cd?<\/a><\/strong><\/p>\r\n<\/blockquote>\r\n

6. Ru\u0161iv\u00e9 prvky<\/h2>\r\n

Dal\u0161\u00edm z\u00a0nej\u010dast\u011bj\u0161\u00edch probl\u00e9m\u016f fotografi\u00ed jsou ru\u0161iv\u00e9 prvky. Fotografov\u00e9 se p\u0159\u00edli\u0161 soust\u0159ed\u00ed na zv\u00ed\u0159e samotn\u00e9 a p\u0159itom zapomenou, \u017ee v\u0161echny prvky v\u00fdsledn\u00e9ho obrazu jsou stejn\u011b d\u016fle\u017eit\u00e9. N\u011bkdy si ru\u0161iv\u00fdch prvk\u016f v\u0161imnou a\u017e doma. Na to se mi osv\u011bd\u010dila jedna metoda. P\u0159i prohl\u00ed\u017een\u00ed fotek si zmen\u0161ete n\u00e1hledy na 4 vedle sebe. Nebudete vn\u00edmat detaily sn\u00edmku, ale celkovou kompozici se v\u0161emi\u00a0ru\u0161iv\u00fdmi prvky. Obecn\u011b plat\u00ed, \u017ee pokud v\u00e1s fotka neupout\u00e1 u\u017e v\u00a0mal\u00e9m n\u00e1hledu, budete jen t\u011b\u017eko jej\u00ed atraktivitu \u0159e\u0161it u po\u010d\u00edta\u010de. Pokud je to mo\u017en\u00e9, sna\u017ete se sn\u00edmek doladit u\u017e v\u00a0ter\u00e9nu. N\u011bkdy k\u00a0tomu sta\u010d\u00ed drobn\u00fd posun fo\u0165\u00e1ku nebo \u00fakrok stranou. \u010c\u00edm v\u00edce se nau\u010d\u00edte vn\u00edmat fotku jako celek, kde je ka\u017ed\u00fd prvek d\u016fle\u017eit\u00fd, t\u00edm m\u00e9n\u011b budete sami sob\u011b argumentovat, \u201e\u017ee to tak prost\u011b bylo\u201c a str\u00e1v\u00edte mnohem m\u00e9n\u011b \u010dasu p\u0159i \u00faprav\u00e1ch v PC.<\/p>\r\n

\u0158e\u0161en\u00ed: Nau\u010dte se vn\u00edmat fotku jako celek a pokuste se odpoutat od detailu.<\/strong><\/p>\r\n

7. \u0160um<\/h2>\r\n

\u0160um tu s\u00a0n\u00e1mi byl, je a bude. P\u0159esto\u017ee se m\u016f\u017ee jednat o technickou \u010d\u00e1st sn\u00edmku, kter\u00e1 se n\u00e1m nel\u00edb\u00ed, v\u011bt\u0161inou se s\u00a0n\u00edm d\u00e1 velmi dob\u0159e pracovat v\u00a0postprocesu. Na trhu je cel\u00e1 \u0159ada program\u016f, kter\u00e9 se se \u0161umem dok\u00e1\u017eou velmi dob\u0159e vypo\u0159\u00e1dat. P\u0159i nedostatku sv\u011btla se budete muset rozhodnout, zda chcete m\u00edt v\u00fdslednou fotku n\u011bjakou m\u011brou za\u0161um\u011blou nebo ji budete m\u00edt neostrou. \u0158e\u0161en\u00edm je pak rezignace na klasick\u00fd popisn\u011bj\u0161\u00ed ostr\u00fd sn\u00edmek a zkusit vyu\u017e\u00edt nep\u0159\u00edzn\u011b po\u010das\u00ed pro tvorbu abstraktn\u011bj\u0161\u00edch fotek pomoc\u00ed ni\u017e\u0161\u00ed citlivosti ISO a prodlou\u017een\u00ed expozi\u010dn\u00edch \u010das\u016f.<\/p>\r\n

\u0158e\u0161en\u00ed: Najd\u011bte si \u00farove\u0148 \u0161umu, se kterou um\u00edte pracovat, a nebojte se ji pou\u017e\u00edt. <\/strong><\/p>\r\n

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\u010ct\u011bte tak\u00e9 na blogu: \u00daPRAVY FOTOGRAFI\u00cd \u2013 JAK ODSTRANIT \u0160UM<\/a><\/strong><\/p>\r\n<\/blockquote>\r\n

8. Ne\u0161etrn\u00e9 \u00fapravy v PC<\/h2>\r\n

O \u00faprav\u00e1ch v po\u010d\u00edta\u010di by se dalo napsat mnoho. Jakmile budete ct\u00edt z\u00e1sady uveden\u00e9 v ka\u017ed\u00e9m odstavci, pak pro v\u00e1s nebude postproces metodou, jak fotky zachr\u00e1nit, ale jak dokon\u010dit jejich my\u0161lenku a p\u0159edat lidem v co nejatraktivn\u011bj\u0161\u00ed podob\u011b.<\/p>\r\n

\u0158e\u0161en\u00ed: D\u011blejte v\u00a0ter\u00e9nu maximum pro to, abyste doma netr\u00e1vili \u00fapravou fotografi\u00ed v\u00edce \u010dasu ne\u017e jej\u00ed tvorbou.<\/strong><\/p>\r\n

\"Labu\u0165<\/a>
Labu\u0165 velk\u00e1, \u010cesk\u00e1 republika,
Olympus E-M1 Mark III; Panasonic 200mm\/2.8 OIS; f 2.8; 1\/4000s; ISO 64<\/figcaption><\/figure>\r\n

Dal\u0161\u00ed d\u00edl miniseri\u00e1lu o focen\u00ed zv\u00ed\u0159at:<\/strong><\/h2>\r\n

\u00a0S jakou fototechnikou fotit zv\u00ed\u0159ata<\/strong><\/a><\/p>\r\n

 <\/p>\r\n

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Autor textu a fotografi\u00ed: PETR BAMBOUSEK<\/strong><\/h3>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n

Petr se zam\u011b\u0159uje v\u00fdhradn\u011b na fotografii zv\u00ed\u0159at a p\u0159\u00edrody. Za t\u00edm \u00fa\u010delem podnik\u00e1 ka\u017ed\u00fd rok \u0159adu v\u00fdprav zejm\u00e9na do tropick\u00fdch krajin. Sna\u017e\u00ed se lidem p\u0159ibl\u00ed\u017eit rozmanitost p\u0159\u00edrody jako celku, tak\u017ee se v\u011bnuje \u0161irok\u00e9mu spektru motiv\u016f od makra p\u0159es ptactvo a\u017e po velk\u00e1 zv\u00ed\u0159ata. Pro jeho tvorbu jsou typick\u00e9 \u010dist\u00e9 a n\u00e1padit\u00e9 kompozice, kter\u00e9 z\u00edskaly celou \u0159adu mezin\u00e1rodn\u00edch ocen\u011bn\u00ed v t\u011bch nejpresti\u017en\u011bj\u0161\u00edch sout\u011b\u017e\u00edch \u2013 Willife Photographer of the Year, Nature\u2019s Best Photography, Bird Photographer of the Year, Sony World Photo Awards a dal\u0161\u00edch. Petrovu tvorbu m\u016f\u017eete vid\u011bt v \u0159ad\u011b \u010dasopis\u016f, kni\u017en\u00edch publikac\u00ed i na mnoha besed\u00e1ch a v\u00fdstav\u00e1ch. Sv\u00e9 post\u0159ehy tak\u00e9 publikuje na sv\u00fdch webov\u00fdch str\u00e1nk\u00e1ch a facebookov\u00e9m profilu. Ka\u017edoro\u010dn\u011b po\u0159\u00e1d\u00e1 celou \u0159adu workshop\u016f u n\u00e1s i v zahrani\u010d\u00ed, kter\u00e9 pom\u00e1haj\u00ed fotograf\u016fm proniknout do taj\u016f fotografie p\u0159\u00edrody. Je autorem mnoha videokurz\u016f a ambasadorem spole\u010dnosti Olympus v \u010cesk\u00e9 republice.\"Petr<\/a><\/p>\r\n

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Stejn\u011b jako dobr\u00e9ho \u0159idi\u010de ned\u011bl\u00e1 drah\u00e9 auto, ale mno\u017estv\u00ed najet\u00fdch kilometr\u016f, n\u00e1kupem drah\u00e9 fotografick\u00e9 techniky se z v\u00e1s p\u0159es noc dobr\u00fd fotograf tak\u00e9 nestane. Pokud jste si vybrali fototechniku zodpov\u011bdn\u011b a odpov\u00edd\u00e1 va\u0161emu hlavn\u00edmu zam\u011b\u0159en\u00ed, je t\u0159eba postupn\u011b proniknout do taj\u016f tvorby fotografie. To je ten nejkr\u00e1sn\u011bj\u0161\u00ed a z\u00e1rove\u0148 nejdel\u0161\u00ed proces.<\/p>\n","protected":false},"author":12,"featured_media":35798,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1371,559,18],"tags":[1661,88,946,1071,1613],"class_list":["post-35777","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cestujscewe","category-fotolab-fotoradce","category-novinky","tag-fauna","tag-fotografovani","tag-fotoradce","tag-wildlife","tag-zvirata"],"wppr_data":{"cwp_meta_box_check":"No"},"_links":{"self":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts\/35777"}],"collection":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/comments?post=35777"}],"version-history":[{"count":10,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts\/35777\/revisions"}],"predecessor-version":[{"id":53686,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts\/35777\/revisions\/53686"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/media\/35798"}],"wp:attachment":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/media?parent=35777"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/categories?post=35777"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/tags?post=35777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}