{"id":32768,"date":"2020-05-22T11:31:02","date_gmt":"2020-05-22T09:31:02","guid":{"rendered":"https:\/\/www.fotolab.cz\/blog\/?p=32768"},"modified":"2024-08-27T08:15:57","modified_gmt":"2024-08-27T06:15:57","slug":"olympus-ocima-fotografa-prirody","status":"publish","type":"post","link":"https:\/\/www.fotolab.cz\/blog\/olympus-ocima-fotografa-prirody\/","title":{"rendered":"Olympus o\u010dima fotografa p\u0159\u00edrody"},"content":{"rendered":"

Petr Bambousek, zn\u00e1m\u00fd fotograf divok\u00e9 p\u0159\u00edrody, zm\u011bnil p\u0159ed n\u011bkolika lety kompletn\u00ed fotografickou v\u00fdbavu. Na sv\u00e9 v\u00fdpravy d\u00edky tomu ji\u017e nebere fotobatoh v\u00e1\u017e\u00edc\u00ed 14 kg, ale pouze 8 kg. To znamen\u00e1 neskute\u010dnou \u00falevu pro z\u00e1da, p\u0159i\u010dem\u017e to zdaleka nebyl jedin\u00fd argument pro zm\u011bnu fotografick\u00e9ho syst\u00e9mu.<\/strong><\/p>\n

\u201eRozhodl jsem se zm\u011bnit syst\u00e9m, kter\u00fdm budu tvo\u0159it sv\u00e9 fotografie.\u201c Touto v\u011btou jsem p\u0159ed t\u0159emi lety na sv\u00e9m webu ozn\u00e1mil p\u0159echod ze zrcadlovky\u00a0fullframe (FF) na bezzrcadlovku s\u00a0men\u0161\u00edm \u010dipem (m43) od Olympusu. Dost lid\u00ed to \u0161okovalo, proto\u017ee technick\u00e9 parametry a tabulky mluv\u00ed na prvn\u00ed pohled celkem jasn\u011b ve prosp\u011bch FF. Jen\u017ee focen\u00ed zv\u00ed\u0159at nen\u00ed o tabulk\u00e1ch a testov\u00e1n\u00ed ter\u010d\u00edk\u016f ze stativu v\u00a0klimatizovan\u00e9m ateli\u00e9ru. P\u0159i pobytu v\u00a0p\u0159\u00edrod\u011b jsou pak rozhoduj\u00edc\u00ed i jin\u00e9 prvky ne\u017e m\u00edra \u0161umu na ISO 6400. A tak za\u010dala moje cesta hou\u0161t\u00edm p\u0159edsudk\u016f a zaru\u010den\u00fdch \u201epravd\u201c, kter\u00fdch se n\u011bkte\u0159\u00ed fotografov\u00e9 dr\u017eeli jako blecha ko\u017eichu. Je t\u0159eba zm\u00ednit, \u017ee fot\u00edm zv\u00ed\u0159ata v\u0161ech kategori\u00ed \u2013 od mravenc\u016f po slony.<\/p>\n

\n
\n
\"Mnohono\u017eky,<\/a>
Mnohono\u017eky, Borneo, Olympus E-M1 II, M.Zuiko 60mm\/2.8<\/figcaption><\/figure>\n<\/div>\n
\n
\"Housenka,<\/a>
Housenka, Borneo, Olympus E-M1 II, M.Zuiko 12-100mm\/4 IS<\/figcaption><\/figure>\n<\/div>\n<\/div>\n

P\u0159\u00edroda m\u011b bav\u00ed jako celek, a proto jsem m\u011bl v\u017edy pln\u00fd batoh vybaven\u00ed. Standardem jsou pro m\u011b dv\u011b t\u011bla a 6 – 7 objektiv\u016f v\u00a0rozsahu 7.5mm \u2013 300mm (tedy ekvivalent kinofilmu 15mm \u2013 600mm).<\/strong><\/em><\/p><\/blockquote>\n

\n
\n
\"Slav\u00edk<\/a>
Slav\u00edk modr\u00e1\u010dek, \u010cesk\u00e1 republika, Olympus E-M1 II, M.Zuiko 300mm\/4 IS + TC 1.4x<\/figcaption><\/figure>\n<\/div>\n
\n
\"Papuchalk<\/a>
Papuchalk severn\u00ed, Shetlandy, Olympus E-M1X, M.Zuiko 40-150mm\/2.8<\/figcaption><\/figure>\n<\/div>\n<\/div>\n

Petr Bambousek bude 26. kv\u011btna od 17:20<\/strong><\/span><\/a> hostem ve vzd\u011bl\u00e1vac\u00edm a diskuzn\u00edm online po\u0159adu SPOU\u0160\u0164 Michaela Jur\u00e1ka. Zapojte se v \u017eiv\u00e9m p\u0159enosu na Youtube<\/strong><\/a><\/span> tak\u00e9 do diskuze.<\/p><\/blockquote>\n

Co m\u011b na syst\u00e9mu Olympus tak uchv\u00e1tilo?<\/h2>\n

Zkus\u00edm v\u00e1m to p\u0159ibl\u00ed\u017eit, p\u0159i\u010dem\u017e se d\u00e1 o tom uva\u017eovat ve dvou rovin\u00e1ch. Jednak jsou to mo\u017enosti samotn\u00e9ho syst\u00e9mu bezzrcadlovky a jednak specifick\u00e9 mo\u017enosti fo\u0165\u00e1k\u016f Olympus. V\u00a0t\u00e9 prvn\u00ed kategorii bych zm\u00ednil zejm\u00e9na t\u0159i vlastnosti, bez kter\u00fdch si u\u017e focen\u00ed zv\u00ed\u0159at nedovedu p\u0159edstavit:<\/p>\n

– zcela tich\u00e1 z\u00e1v\u011brka
\n– d\u00edky elektronick\u00e9mu hled\u00e1\u010dku\/zadn\u00edmu displeji online sledov\u00e1n\u00ed korekc\u00ed expozice
\n– pokryt\u00ed cel\u00e9 plochy obrazu ost\u0159\u00edc\u00edmi body<\/p>\n

\"Petr<\/a>T\u00edm v\u0161ak \u017eivot s bezzrcadlovkou teprve za\u010d\u00edn\u00e1. Olympus k\u00a0tomu p\u0159id\u00e1v\u00e1 celou \u0159adu u\u017eite\u010dn\u00fdch mo\u017enost\u00ed. Pro m\u011b je p\u0159edn\u011b d\u016fle\u017eit\u00e9, \u017ee se jedn\u00e1 o ucelen\u00fd syst\u00e9m. To znamen\u00e1, \u017ee to nen\u00ed jen p\u00e1r fo\u0165\u00e1k\u016f s n\u011bkolika m\u00e1lo objektivy. Najdeme tu profesion\u00e1ln\u00ed objektivy s\u00a0dokonalou kresbou, superv\u00fdkonn\u00e1 t\u011bla, modern\u00ed blesky s\u00a0radiov\u00fdm ovl\u00e1d\u00e1n\u00edm, vybaven\u00ed pro pot\u00e1p\u011b\u010de nebo mo\u017enost \u0159\u00eddit a nastavovat fo\u0165\u00e1k pomoc\u00ed aplikace v telefonu. D\u00edky technologii men\u0161\u00edho \u010dipu je syst\u00e9m neuv\u011b\u0159iteln\u011b kompaktn\u00ed. M\u00e1\u00a0mnohem men\u0161\u00edmi objektivy s citeln\u011b ni\u017e\u0161\u00ed v\u00e1hou ne\u017e jsem byl zvykl\u00fd u zrcadlovek. To se samoz\u0159ejm\u011b nejv\u00edce projev\u00ed, pokud pot\u0159ebujete v\u00edce objektiv\u016f s\u00a0p\u0159evahou del\u0161\u00edch ohnisek. U zm\u00edn\u011bn\u00fdch dvou t\u011bl a sad\u011b optiky pokr\u00fdvaj\u00edc\u00ed \u00fahel pohledu ryb\u00edho oka a\u017e super teleobjektiv je v\u00e1hov\u00fd rozd\u00edl naprosto ultim\u00e1tn\u00ed.<\/p>\n

Kdy\u017e vezmete fo\u0165\u00e1ky \u0159ady E-M1 do ruky, jsou p\u0159es sv\u00e9 rozm\u011bry ergonomicky naprosto skv\u011bl\u00e9. Velmi dob\u0159e padnou do dlan\u011b a v\u0161echna tla\u010d\u00edtka jsou perfektn\u011b po ruce. Podle m\u011b je zat\u00edm nejlep\u0161\u00edm fo\u0165\u00e1kem na m43 trhu novinka od Olympus E-M1 Mark III.<\/em><\/strong><\/p><\/blockquote>\n

\"Volavky<\/a>
Volavky b\u00edl\u00e9, Pantanal, Olympus E-M1 II, M.Zuiko 300mm\/4 IS<\/figcaption><\/figure>\n
\"Ropucha<\/a>
Ropucha zelen\u00e1, Chorvatsko, Olympus E-M1X, M.Zuiko 12-100mm\/4 IS<\/figcaption><\/figure>\n

V\u00a0r\u00e1mci E-M1 Mark III se poda\u0159ilo dokonale skloubit kompaktn\u00ed rozm\u011bry p\u0159edch\u016fdce E-M1 Mark II a extra v\u00fdkon vlajkov\u00e9 lodi E-M1X. Stabilizace s\u00a0kompenzac\u00ed a\u017e -7,5 EV zcela m\u011bn\u00ed zp\u016fsob focen\u00ed, na jak\u00fd jsem byl se zrcadlovkou zvykl\u00fd. S\u00a0objektivem M.Zuiko 12-100mm\/4 IS se daj\u00ed udr\u017eet na \u0161irok\u00e9m konci d\u0159\u00edve nemysliteln\u00e9 hodnoty v\u00a0\u0159\u00e1dech vte\u0159in. Na fotku potoka nebo vodop\u00e1du s\u00a0rozmazanou vodou najednou nepot\u0159ebujete m\u00edt nutn\u011b stativ a stihnete si vyfotit mnohem v\u00edc variant z\u00a0ruky. D\u00edky v\u00fdklopn\u00e9mu displeji jsem po\u0159\u00eddil spoustu brilantn\u011b ostr\u00fdch fotografi\u00ed s\u00a0teleobjektivem M.Zuiko 300mm\/4 IS (ekvivalent 600mm) s\u00a0rukama nata\u017een\u00fdma nad hlavou nebo naopak dr\u017een\u00fdm u zem\u011b s expozi\u010dn\u00edmi \u010dasy kolem 1\/20s.<\/p>\n

P\u0159i focen\u00ed zv\u00ed\u0159at jsem mnohokr\u00e1t ocenil mo\u017enosti neb\u00fdval\u00e9 konfigurace matice rozm\u00edst\u011bn\u00ed AF bod\u016f a jejich velikosti.<\/strong> <\/em><\/p><\/blockquote>\n

\"Trupi\u00e1l<\/a>
Trupi\u00e1l mexick\u00fd, Kostarika, Olympus E-M1 III, M.Zuiko 300mm\/4 IS<\/figcaption><\/figure>\n

Zm\u00edn\u011bn\u00e1 tich\u00e1 z\u00e1v\u011brka dok\u00e1\u017ee sn\u00edmat a\u017e 18sn\/s. Bez pr\u016fb\u011b\u017en\u00e9ho ost\u0159en\u00ed dokonce a\u017e 60sn\/s a zachytit i moment, kter\u00fd se odehraje p\u0159ed dom\u00e1\u010dknut\u00edm spou\u0161t\u011b (re\u017eim Pro Capture). I pro fotografy krajin je fo\u0165\u00e1k nabit\u00fd praktick\u00fdmi funkcemi jako je vestav\u011bn\u00fd ND filtr, sn\u00edmky ve vysok\u00e9m rozli\u0161en\u00ed (nov\u011b u\u017e i z\u00a0ruky), bracketing, HDR, vestav\u011bn\u00fd \u010dasova\u010d s konfigurac\u00ed samospou\u0161t\u011b, \u010dasosb\u011br s\u00a0a\u017e 9999 sn\u00edmky. Nav\u00edc p\u0159i no\u010dn\u00edch fotk\u00e1ch m\u016f\u017eete \u017eiv\u011b sledovat v\u00fdvoj expozice a va\u0161ich hr\u00e1tek s\u00a0malov\u00e1n\u00edm sv\u011btlem. Makro fotografov\u00e9 maj\u00ed zase k\u00a0dispozici re\u017eim skl\u00e1dan\u00e9ho makra, chytr\u00e9 mo\u017enosti zv\u00fdrazn\u011bn\u00ed kontur p\u0159i manu\u00e1ln\u00edm ost\u0159en\u00ed nebo voliteln\u00e9 zv\u011bt\u0161en\u00ed zaost\u0159ovan\u00e9 oblasti. J\u00e1 v\u00edm, zn\u00ed to skoro jako z\u00a0reklamn\u00edho let\u00e1ku, nicm\u00e9n\u011b v\u0161echny zm\u00edn\u011bn\u00e9 mo\u017enosti ve sv\u00e9 tvorb\u011b re\u00e1ln\u011b vyu\u017e\u00edv\u00e1m a m\u00e9 nad\u0161en\u00ed opravdu skoro nezn\u00e1 mez\u00ed. Chci t\u00edm jen demonstrovat, \u017ee pokud m\u00e1 syst\u00e9m Olympus n\u011bjak\u00e1 omezen\u00ed, velmi \u010dasto pramen\u00ed p\u0159edev\u0161\u00edm z\u00a0nedostatku p\u0159edstavivosti fotografa ne\u017e z\u00a0absence n\u011bjak\u00e9 funkce.<\/p>\n

Z\u00a0pohledu mo\u017enost\u00ed nastaven\u00ed mus\u00edm \u0159\u00edct, \u017ee tady jsou fo\u0165\u00e1ky Olympus na m\u00edle daleko od v\u0161eho, co jsem znal ze sv\u011bta zrcadlovek.<\/strong> <\/em><\/p><\/blockquote>\n

\"Vamp\u00fdr<\/a>
Vamp\u00fdr dlouhojazy\u010dn\u00fd, Kostarika, Olympus E-M1X, M.Zuiko 40-150mm\/2.8<\/figcaption><\/figure>\n

Mysl\u00edm, \u017ee snad ka\u017ed\u00fd zrcadlovk\u00e1\u0159 se p\u0159i pohledu do nekone\u010dn\u00e9ho menu Olympus orosil. P\u0159izn\u00e1v\u00e1m, \u017ee jsem byl zpo\u010d\u00e1tku doslova zahlcen mo\u017enostmi a kombinacemi, kter\u00e9 fo\u0165\u00e1k nab\u00edz\u00ed. Brzy jsem si na mo\u017enosti konfigurace neskute\u010dn\u011b zvykl a dnes bych uv\u00edtal, kdyby fo\u0165\u00e1k mohl m\u00edt je\u0161t\u011b n\u011bkolik vychyt\u00e1vek nav\u00edc. Trochu ukrytou \u201efunkc\u00ed\u201c fo\u0165\u00e1k\u016f a objektiv\u016f Pro \u0159ady je jejich extr\u00e9mn\u00ed odolnost v\u016f\u010di rozmar\u016fm po\u010das\u00ed. Z\u00a0osobn\u00ed zku\u0161enosti mohu \u0159\u00edct, \u017ee je jen tak n\u011bco nezastav\u00ed. Za t\u0159i roky jsem s\u00a0vybaven\u00edm Olympus podnikl 14 expedic za zv\u00ed\u0159aty po cel\u00e9m sv\u011bt\u011b \u2013 od pra\u0161n\u00e9 Afriky po de\u0161tn\u00e9 pralesy Asie a Latinsk\u00e9 Ameriky \u2013 a \u017e\u00e1dn\u00fd z\u00a0fo\u0165\u00e1k\u016f ani ne\u0161kytl.<\/p>\n

\"\u010c\u00e1pi<\/a>
\u010c\u00e1pi jabiru, Pantanal, Olympus E-M1 II, M.Zuiko 7-14mm\/2.8<\/figcaption><\/figure>\n

Ka\u017ed\u00e9mu, kdo r\u00e1d fot\u00ed p\u0159\u00edrodu a hled\u00e1 kompaktn\u00ed a kvalitn\u00ed \u0159e\u0161en\u00ed fototechniky, mohu syst\u00e9m m43 od Olympusu v\u0159ele doporu\u010dit. Pokud k n\u011bmu p\u0159istoup\u00edte bez p\u0159edsudk\u016f, s hravou touhou objevovat, m\u016f\u017eete b\u00fdt hodn\u011b p\u0159ekvapeni, co se v takov\u00e9m balen\u00ed ukr\u00fdv\u00e1 za s\u00edlu.<\/p>\n

\n

Petr Bambousek
\n<\/strong>www.sulasula.com<\/span><\/strong><\/a><\/h4>\n

\"Petr<\/a>Petr se zam\u011b\u0159uje v\u00fdhradn\u011b na fotografii zv\u00ed\u0159at a p\u0159\u00edrody. Za t\u00edm \u00fa\u010delem podnik\u00e1 ka\u017ed\u00fd rok \u0159adu v\u00fdprav zejm\u00e9na do tropick\u00fdch krajin. Sna\u017e\u00ed se lidem p\u0159ibl\u00ed\u017eit rozmanitost p\u0159\u00edrody jako celku, tak\u017ee se v\u011bnuje \u0161irok\u00e9mu spektru motiv\u016f od makra p\u0159es ptactvo a\u017e po velk\u00e1 zv\u00ed\u0159ata. Pro jeho tvorbu jsou typick\u00e9 \u010dist\u00e9 a n\u00e1padit\u00e9 kompozice, kter\u00e9 z\u00edskaly celou \u0159adu mezin\u00e1rodn\u00edch ocen\u011bn\u00ed v t\u011bch nejpresti\u017en\u011bj\u0161\u00edch sout\u011b\u017e\u00edch sv\u011bta \u2013 Wildlife Photographer of the Year, Nature\u2019s Best Photography, Nature Photographer of the Year, Bird Photographer of the Year, Sony World Photo Awards, Czech Press Photo \u010di Czech Nature Photo. Petrovu tvorbu m\u016f\u017eete vid\u011bt v \u0159ad\u011b \u010dasopis\u016f, kni\u017en\u00edch publikac\u00edch i na mnoha besed\u00e1ch a v\u00fdstav\u00e1ch. Sv\u00e9 post\u0159ehy tak\u00e9 publikuje na sv\u00fdch webov\u00fdch str\u00e1nk\u00e1ch, facebooku, instagramu a nov\u011b i na Youtube. Ka\u017edoro\u010dn\u011b po\u0159\u00e1d\u00e1 celou \u0159adu workshop\u016f u n\u00e1s i v zahrani\u010d\u00ed, kter\u00e9 pom\u00e1haj\u00ed fotograf\u016fm proniknout do taj\u016f fotografie p\u0159\u00edrody. Vyd\u00e1v\u00e1 i v\u00fdukov\u00e1 videa, kde popisuje sv\u016fj p\u0159\u00edstup k tvorb\u011b a n\u00e1sledn\u00fdm \u00faprav\u00e1m v po\u010d\u00edta\u010di.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Petr Bambousek, zn\u00e1m\u00fd fotograf divok\u00e9 p\u0159\u00edrody, zm\u011bnil p\u0159ed n\u011bkolika lety kompletn\u00ed fotografickou v\u00fdbavu. Na sv\u00e9 v\u00fdpravy d\u00edky tomu ji\u017e nebere fotobatoh v\u00e1\u017e\u00edc\u00ed 14 kg, ale pouze 8 kg. To znamen\u00e1 neskute\u010dnou \u00falevu pro z\u00e1da, p\u0159i\u010dem\u017e to zdaleka nebyl jedin\u00fd argument pro zm\u011bnu fotografick\u00e9ho syst\u00e9mu.<\/p>\n","protected":false},"author":12,"featured_media":32796,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[559,18],"tags":[946,1141,266,1199,1613],"class_list":["post-32768","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fotolab-fotoradce","category-novinky","tag-fotoradce","tag-fototechnika","tag-olympus","tag-priroda","tag-zvirata"],"wppr_data":{"cwp_meta_box_check":"No"},"_links":{"self":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts\/32768"}],"collection":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/comments?post=32768"}],"version-history":[{"count":10,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts\/32768\/revisions"}],"predecessor-version":[{"id":53616,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts\/32768\/revisions\/53616"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/media\/32796"}],"wp:attachment":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/media?parent=32768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/categories?post=32768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/tags?post=32768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}