{"id":28244,"date":"2019-11-04T13:52:12","date_gmt":"2019-11-04T12:52:12","guid":{"rendered":"https:\/\/www.fotolab.cz\/blog\/?p=28244"},"modified":"2019-11-04T13:52:43","modified_gmt":"2019-11-04T12:52:43","slug":"tomasz-tomaszewski-o-foceni-lidi-hledani-dokonalosti-ve-fotografii","status":"publish","type":"post","link":"https:\/\/www.fotolab.cz\/blog\/tomasz-tomaszewski-o-foceni-lidi-hledani-dokonalosti-ve-fotografii\/","title":{"rendered":"Tomasz Tomaszewski: o focen\u00ed lid\u00ed, hled\u00e1n\u00ed dokonalosti ve fotografii"},"content":{"rendered":"

Co je pot\u0159eba k tomu, aby vznikl sn\u00edmek, kter\u00fd lidi p\u0159inut\u00ed se zastavit a zamyslet? Foto\u017eurnalista Tomasz Tomaszewski, kter\u00fd ji\u017e p\u0159es 30 let fot\u00ed pro nejzn\u00e1m\u011bj\u0161\u00ed sv\u011btov\u00e9 \u010dasopisy a publikace, se s n\u00e1mi pod\u011blil o sv\u00e9 post\u0159ehy, jak vytvo\u0159it fotografie, kter\u00e9 vedle kr\u00e1sy nab\u00edz\u00ed i dal\u0161\u00ed rozm\u011br.<\/strong><\/p>\n

\"\"<\/a>M\u00edt tajemstv\u00ed<\/strong><\/h2>\n

Obecn\u011b plat\u00ed, \u017ee kdy\u017e m\u00e1 n\u011bco tajn\u00fd nebo skryt\u00fd v\u00fdznam, st\u00e1v\u00e1 se to cenn\u011bj\u0161\u00edm. A podle Tomasze se tot\u00e9\u017e pravidlo vztahuje i na fotografie. Nahl\u00e9dn\u011bte pod povrch skute\u010dn\u011b zaj\u00edmav\u00fdch sn\u00edmk\u016f a zjist\u00edte, \u017ee je v nich skryto v\u00edc, ne\u017e jste vid\u011bli na prvn\u00ed pohled.<\/p>\n

\n

\u201eChcete-li m\u00edt skv\u011blou fotografii, mus\u00edte vytvo\u0159it n\u011bco, co obsahuje tajemstv\u00ed, metaforu,\u201c vysv\u011btluje. \u201eNejlep\u0161\u00ed sn\u00edmky jsou ty, kter\u00e9 povzbuzuj\u00ed na\u0161i imaginaci, nut\u00ed n\u00e1s si kl\u00e1st ot\u00e1zky a doj\u00edt k n\u011bjak\u00e9mu z\u00e1v\u011bru.\u201c<\/strong><\/h4>\n<\/blockquote>\n

\"\"<\/a>M\u00e9n\u011b je v\u00edce<\/strong><\/h2>\n

Sna\u017ete se o to, aby sn\u00edmky byly co nejjednodu\u0161\u0161\u00ed. Ka\u017ed\u00fd v\u00ed, \u017ee \u017e\u00e1dn\u00e9 dodate\u010dn\u00e9 \u00fapravy neud\u011blaj\u00ed ze \u0161patn\u00e9ho obr\u00e1zku skv\u011bl\u00fd obr\u00e1zek. Podle Tomasze mus\u00edte m\u00edt z\u00e1b\u011br d\u016fkladn\u011b promy\u0161len\u00fd je\u0161t\u011b p\u0159ed t\u00edm, ne\u017e zm\u00e1\u010dknete spou\u0161\u0165. Nem\u011bli byste o krok ustoupit nebo naopak popoj\u00edt, aby se zm\u011bnil z\u00e1b\u011br, a tedy i to, co uvid\u00ed div\u00e1k?<\/p>\n

Tomasz si mysl\u00ed, \u017ee byste se m\u011bli soust\u0159edit na to, abyste vypr\u00e1v\u011bli p\u0159\u00edb\u011bh a svoji zpr\u00e1vu sd\u011blili co nejjednodu\u0161\u0161\u00edm zp\u016fsobem.<\/p>\n

\n

\u201ePro m\u011b osobn\u011b je cestou k dokonalosti zjednodu\u0161en\u00ed,\u201c vysv\u011btluje. \u201eZjednodu\u0161it obr\u00e1zek na co nejz\u00e1kladn\u011bj\u0161\u00ed prvky a p\u0159itom zachovat v\u00fdznam. Chci se na fotku pod\u00edvat a pochopit ji ve zlomku vte\u0159iny.\u201c<\/strong><\/h4>\n<\/blockquote>\n

\"\"<\/a>V\u011b\u0159te sv\u00fdm o\u010d\u00edm<\/strong><\/h2>\n

Pro\u010d bylo tolik slavn\u00fdch fotografi\u00ed po\u0159\u00edzeno 35mm nebo 50mm objektivem? Bl\u00ed\u017e\u00ed se toti\u017e tomu, jak vid\u00edme sv\u011bt my, a proto pak poci\u0165ujeme spojen\u00ed mezi n\u00e1mi a sn\u00edmkem. I kdy\u017e Tomasz pou\u017e\u00edv\u00e1 fotoapar\u00e1t Sony \u03b17R III s objektivem FE 24-70 mm f\/2,8 GM, sna\u017e\u00ed se fotit tak bl\u00edzko 35 mm, jak to jen jde. Dokonce si ud\u011blal na objektivu malou zna\u010dku, aby tuto ohniskovou d\u00e9lku mohl snadno nastavit. Fotit p\u0159i 35 mm nebo 50 mm doporu\u010duje, proto\u017ee v\u00e1s to donut\u00ed zachycovat zaj\u00edmav\u00e9 sc\u00e9ny bez opory v optick\u00fdch tric\u00edch se zm\u011bnami perspektivy.<\/p>\n

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\u201eKdy\u017e fot\u00edte s ohniskovou d\u00e9lkou 24 nebo 28 mm, i velmi nudn\u00e1 sc\u00e9na m\u016f\u017ee v hled\u00e1\u010dku vypadat zaj\u00edmav\u011b, proto\u017ee se to li\u0161\u00ed od va\u0161eho vid\u011bn\u00ed,\u201c vysv\u011btluje. \u201eV\u00e1\u0161 mozek uvid\u00ed n\u011bco jin\u00e9ho, ne\u017e co p\u0159edt\u00edm vid\u011bly va\u0161e o\u010di. Kdy\u017e fot\u00edte p\u0159i 35 nebo 50 mm a sc\u00e9na p\u0159ed v\u00e1mi bude nez\u00e1\u017eivn\u00e1 a oby\u010dejn\u00e1, bude nez\u00e1\u017eivn\u00e1 i v hled\u00e1\u010dku. S 50mm objektivem u\u017e skute\u010dn\u011b mus\u00edte b\u00fdt n\u011b\u010d\u00edm o\u010darov\u00e1ni a omr\u00e1\u010deni, abyste m\u011bli d\u016fvod stisknout spou\u0161\u0165.\u201c<\/strong><\/h4>\n<\/blockquote>\n

\"\"<\/a>Empatie<\/strong><\/h2>\n

Tomaszova nejd\u016fle\u017eit\u011bj\u0161\u00ed rada pro p\u0159\u00ed\u0161t\u00ed generaci foto\u017eurnalist\u016f a dokument\u00e1rn\u00edch fotograf\u016f? Bu\u010fte empati\u010dt\u00ed<\/strong>.<\/p>\n

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\u201e\u010clov\u011bka z v\u00e1s ned\u011bl\u00e1 l\u00e1ska k vlasti, dokonce ani k vlastn\u00ed rodin\u011b a milovan\u00fdm. D\u011bl\u00e1 ho z v\u00e1s schopnost empatie v\u016f\u010di n\u011bkomu, na koho se jen d\u00edv\u00e1te. Kdy\u017e se d\u00edv\u00e1m na soudob\u00e9 fotografie, b\u00fdvaj\u00ed \u010dasto studen\u00e9 jako ledovce. Lid\u00e9 v osob\u00e1ch, kter\u00e9 fot\u00ed, nevid\u00ed lidi \u2013 nevn\u00edmaj\u00ed je osobn\u011b, ale jako objekty, jako herce. J\u00e1 vid\u00edm v\u00fdborn\u011b proveden\u00e9 sn\u00edmky osob, kter\u00e9 nemaj\u00ed \u017e\u00e1dnou du\u0161i. Empatie je absolutn\u011b nezbytn\u00e1.\u201c<\/strong><\/h4>\n<\/blockquote>\n

\"\"<\/a><\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Co je pot\u0159eba k tomu, aby vznikl sn\u00edmek, kter\u00fd lidi p\u0159inut\u00ed se zastavit a zamyslet? Foto\u017eurnalista Tomasz Tomaszewski, kter\u00fd ji\u017e p\u0159es 30 let fot\u00ed pro nejzn\u00e1m\u011bj\u0161\u00ed sv\u011btov\u00e9 \u010dasopisy a publikace, se s n\u00e1mi pod\u011blil o sv\u00e9 post\u0159ehy, jak vytvo\u0159it fotografie, kter\u00e9 vedle kr\u00e1sy nab\u00edz\u00ed i dal\u0161\u00ed rozm\u011br.<\/p>\n","protected":false},"author":12,"featured_media":28254,"comment_status":"open","ping_status":"closed","sticky":false,"template":"single-full.php","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[559,18],"tags":[88,946,1296,252],"class_list":["post-28244","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fotolab-fotoradce","category-novinky","tag-fotografovani","tag-fotoradce","tag-lide","tag-sony"],"wppr_data":{"cwp_meta_box_check":"No"},"_links":{"self":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts\/28244"}],"collection":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/comments?post=28244"}],"version-history":[{"count":4,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts\/28244\/revisions"}],"predecessor-version":[{"id":28253,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/posts\/28244\/revisions\/28253"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/media\/28254"}],"wp:attachment":[{"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/media?parent=28244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/categories?post=28244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fotolab.cz\/blog\/wp-json\/wp\/v2\/tags?post=28244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}